傣剧的仪式功能研究

发布时间：2018-03-29 12:00

本文选题：傣剧　切入点：仪式　出处：《中央民族大学》2010年硕士论文

【摘要】： 傣剧是傣族一种综合性艺术形式,它以傣族佛教诵经时采用的唱调及巫术舞蹈为基础,吸收滇剧及皮影戏的艺术形式和特点而形成,是一种具有固定唱调及完整故事情节的少数民族戏剧,与白剧、壮剧、彝剧并称为“云南四大民族戏曲剧种”。以傣剧作为研究对象,不仅具有一定的学术价值,更具有现实意义。首先,作为傣族传统戏剧形式,傣剧蕴含着多种文化内涵和社会功能,对探索傣族传统文化的内核,研究傣族人民的生活面貌和文化变迁以及其他文化事象都有着积极的意义。其次,傣剧研究在我国地方戏、少数民族戏剧研究中具有典型意义。通过德宏地区傣族个案的调查,由点及面,对同类地方戏研究有管窥之效。第三,从文化交流角度而言,傣剧发源地盈江县明清时期属“干崖”宣抚使司地,在明代“三征麓川”及清代改土归流中,与内地汉族及缅甸等境外地区保持着频繁的交流,深入观察与研究傣剧对于探索各民族文化交流的轨迹,制定适宜的边疆地区政策有着启示性作用。第四,从非物质文化遗产的保护角度而言，，傣剧蕴藏着傣族文化基因、精神特质和在长期的生产劳动、生活实践中积淀而成的民族精神,反映了傣族一段时期内的社会认识、艺术特点和审美情趣,具有产生民族凝聚力、促进民族共识和认同的社会价值。本文采用民族学田野调查和文献研究的方法,兼顾主位与客位的思考方式,对不同职业、年龄、性别的人员进行了深入的访谈,并在访谈提纲的基础上,做必要的灵活调整,以取得良好的调查效果。本文的导论部分主要叙述了本研究的意义和目的,回顾了相关研究理论和成果,说明了选题缘由。第一章介绍了傣剧主要流传地的概况,简单梳理了傣剧的历史发展脉络。第二章从民族性、民间性、宗教性和时代性四个方面对傣剧的特征进行探讨与阐释,说明了傣剧的民族特色。第三章对傣剧的展演及仪式过程进行功能分析,说明它在维持民间社会平衡、传承民族文化、维系社会记忆等方面具有重要的社会功能。第四章从傣剧的历史和现实出发,对傣剧的发展提出作者若干初浅的建议。结语部分在总结全文内容的基础上归纳笔者的主要观点。
[Abstract]:Dai opera is a comprehensive art form of Dai nationality. It is based on the chanting and witchcraft dance of Dai Buddhism, and it absorbs the artistic form and characteristics of Yunnan opera and shadow play. It is a kind of minority drama with fixed singing tone and complete story plot, which is called "four kinds of Yunnan National Drama Drama", along with Bai Drama, Zhuang Opera and Yi Opera. Dai opera is not only of academic value, but also of practical significance. Firstly, as a traditional form of Dai drama, Dai opera contains a variety of cultural connotations and social functions to explore the core of Dai traditional culture. It is of positive significance to study Dai people's life and cultural changes as well as other cultural phenomena. Secondly, the study of Dai opera is of typical significance in the study of local drama and minority drama in our country. From the point and surface, the study of the similar local opera has a peek effect. Thirdly, from the angle of cultural exchange, Yingjiang County, the birthplace of Dai opera, belonged to "Qianya" in the Ming and Qing dynasties. It was in the "three Lu Sichuan" in the Ming Dynasty and the return of the land in the Qing Dynasty. There are frequent exchanges with the Han nationality in the mainland and Myanmar and other overseas areas. The in-depth observation and study of Dai opera has an enlightening effect on exploring the track of cultural exchanges among different nationalities and formulating appropriate policies in the frontier areas. From the point of view of the protection of intangible cultural heritage, Dai opera contains Dai culture genes, spiritual characteristics and the national spirit accumulated in the long term production, labor and life practice, which reflects the social understanding of the Dai nationality during a period of time. Artistic characteristics and aesthetic taste have the social value of producing national cohesion and promoting national consensus and recognition. This paper adopts the methods of ethnology field investigation and literature research, taking into account the thinking mode of theme and guest, and makes in-depth interviews with personnel of different occupations, ages and genders, and makes necessary flexible adjustment on the basis of the interview outline. In order to obtain good investigation results. The introduction of this paper mainly describes the significance and purpose of this study, reviews the relevant research theories and results, and explains the reason of the topic. Chapter one introduces the general situation of the main places of Dai Opera. Chapter two discusses and explains the characteristics of Dai opera from four aspects: nationality, folklore, religion and times. The third chapter analyzes the performance and ritual process of Dai opera, and explains that it is maintaining the balance of civil society and inheriting the national culture. The fourth chapter is based on the history and reality of Dai opera, and puts forward some preliminary suggestions on the development of Dai opera. The conclusion part summarizes the author's main points of view on the basis of summarizing the content of the full text.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

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