对drama的再认识——兼论戏曲传奇

发布时间：2018-03-30 00:24

本文选题：drama　切入点：传奇　出处：《戏剧艺术》2017年01期

【摘要】：关于drama与theatre的区别,戏剧学界或者认为前者指向戏剧的文学性而后者指向戏剧的剧场性,或者认为前者指向西方戏剧而后者则包含了世界各民族的戏剧。本文提出第三种观点:drama是文艺复兴所开创的现代世纪的戏剧文体,它最重要的文体原则"情节整一性"是由现代世纪的个人主义价值观和理性主义精神所决定的。本文还以中国戏曲为例,描述了中世纪戏剧文体的"传奇"原则,分析了中世纪集体信仰的价值观对其戏剧文体的决定作用。本文指出了drama的三个特征:与中世纪戏剧的"大团圆"结局不同,drama的"默认"形态是悲剧与喜剧;与中世纪戏剧行为的教会、宫廷、政府、行会、宗社、家庭等集体主体不同,drama是建立在"票房"基础上的个人行为;与中世纪戏剧的道德教化不同,drama是演出者与观众的平等交流。
[Abstract]:As to the difference between drama and theatre, the former refers to the literary character of the drama and the latter to the theater of the drama, or the former points to the western drama and the latter contains the drama of all the nations of the world.This paper puts forward a third point of view: Drama is the dramatic style of the modern century initiated by the Renaissance. Its most important stylistic principle, "plot uniformity", is determined by the individualistic values and rationalism of the modern century.Taking Chinese opera as an example, this paper describes the "legend" principle of medieval drama, and analyzes the value of collective belief in the Middle Ages as a determinant of its dramatic style.This paper points out three characteristics of drama: tragedy and comedy are the default form of Drama, which is different from the ending of "happy" in medieval drama, and the church, court, government, guild, society of medieval drama.Different collective subjects such as family are individual behaviors based on "box office", and different from the moral education of medieval drama, drama is the equal communication between the performers and the audience.
【作者单位】：南京大学文学院;
【分类号】：J805

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