论戏曲服饰的可舞性

发布时间：2018-03-30 01:12

本文选题：可舞性　切入点：形式美　出处：《中国艺术研究院》2009年硕士论文

【摘要】： 可舞性是戏曲服饰的三大美学特征之一。演员塑造人物,是一种意象创造。角色的性格、品格、气质的体现,一是要依靠演员自身的语言、唱腔、形体动作,二就是有赖于服装、化妆等外部因素的辅助和衬托。而服装则可以让演员充分借助,以帮助演员表情达意。通过戏曲服饰所表现出的环境及人物造型,已经不仅仅只是体现戏剧情节,而且还具有展示演员内心情绪的作用,即戏曲服饰要成为人物性格和心理情绪变化的外延物。戏曲服饰的表情达意的手段,既是其他艺术手法所不能替代的,又是戏曲表演艺术中独一无二的。演员表演人物,喜、怒、哀、乐在他的面部、语言、唱腔和形体动作上,同时喜、怒、哀、乐也表现在服装上,服装犹如一张放大了的脸,可以被演员“舞”出喜、怒、哀、乐——这就是“可舞性”深刻的内涵!
[Abstract]:Dancing is one of the three aesthetic features of traditional Chinese opera costumes. Actors create characters, create images, embody character, character and temperament. One is to rely on the actors' own language, singing and body movements. The other is that it depends on the support and foil of external factors such as clothing and makeup. And clothing can be fully used by actors to help them achieve the purpose of expression. It has not only embodied the drama plot, but also has the function of showing the actor's inner emotion, that is, the opera dress should become the extension of the character and the psychological emotion change. Not only cannot be replaced by other artistic techniques, but also is unique in the performing arts of opera. Actors perform characters, joy, anger, sorrow, joy in his face, language, singing and body movements, and at the same time, joy, anger, mourning, Music is also shown on the clothing, clothing is like a enlarged face, can be "dance" actors out of joy, anger, sorrow, music-this is the "dance" of the profound connotation of!!!
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J816

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