山东琴书腔词关系之研究

发布时间：2018-04-01 06:13

本文选题：山东琴书　切入点：唱词　出处：《安徽师范大学》2013年硕士论文

【摘要】：“字正腔圆”、“以字行腔”、“倒字”、“破句”等等都是与腔词关系有关的而且是广大专家、学者惯用的词。腔词关系历来都受到广大学者的关注,曲艺音乐作为一种说唱音乐,腔和词的关系更是不容忽视。无论是对山东琴书本身来说,还是对琴书的创腔者、演唱者、爱好者来说,了解山东琴书的腔词关系都是非常有必要的。文章对山东琴书的唱腔和唱词的关系进行分析与研究,以期能对山东琴书的演唱者、创腔者及其琴书自身的传承与发展有所帮助。文章分为四个部分即：腔词音调之关系、腔词节奏之关系、腔词句式之关系、腔词关系之引发。第一章腔词音调之关系,分为四节即：山东琴书使用的方言特征、唱词字调与唱腔旋律走向的关系、唱词语调与唱腔旋律走向的关系、“变调”与唱腔旋律走向的关系。每一节都结合相关的谱例进行分析。第二章腔词节奏之关系,分为两个小节即：唱词轻重音与唱腔节奏强弱的关系、“破句”现象的分析与解决。第一节又分为三个部分即：唱词习惯轻重音与唱腔节奏强弱、唱词特意轻重音与唱腔节奏强弱、唱词节拍重音与唱腔节奏强弱。其中,习惯轻重音和特意轻重音对唱腔节奏强弱的影响是非常重要的。第二节中对“破句”现象进行举例,并对其如何解决作出尝试。第三章腔词句式之关系中包括三节即：山东琴书唱词的基本句式与变化句式、山东琴书唱腔的基本句式与变化句式、唱词句式与唱腔句式之间的制约关系。第四章腔词关系之引发,在对山东琴书腔词关系的处理上认为相背的腔词关系只要有利于作品整体效果的表达也是好的腔词关系。不论是戏曲还是曲艺,都讲究“字正腔圆”、“以字行腔”,而非常忌讳“倒字”、“破句”现象的出现。一部优秀的作品必然会遵循作品整体效果的表达,使唱腔和唱词恰当好处的结合在一起,相得益彰,共同服务于整个作品的内容。山东琴书亦是如此,认识腔词关系规律,掌握其处理原则,会使山东琴书更具感染力,更好地传承下去。
[Abstract]:These words are related to the relationship between colloquial words and Chinese characters and are commonly used by experts and scholars.The relationship between ci and ci has always been concerned by scholars, quyi music as a rap music, the relationship between cavity and ci can not be ignored.It is very necessary to understand the relationship between Shandong Qin book and its singer, singer and lover, not only for Shandong Qin book itself, but also for its creators, singers and enthusiasts.This paper analyzes and studies the relationship between the singing and the lyric of Shandong Qin book, hoping to be helpful to the singer, creator and its own inheritance and development of Shandong Qin book.The article is divided into four parts: the relationship between the tone of the words, the rhythm of the words, the relationship between the words and sentences, and the relationship between the words.The first chapter is divided into four sections: the dialect characteristics used in Shandong Qin book, the relationship between the tone of lyrics and the trend of melody, the relationship between the tone of lyrics and the trend of melody, and the relationship between the change of tone and the trend of melody.Each section is analyzed with relevant spectral examples.The second chapter is divided into two sections: the relationship between the heavy and heavy voice and the strong or weak rhythm of singing, and the analysis and solution of the phenomenon of "break sentence".The first section is divided into three parts: the strong and weak of the libretto and the rhythm of the choir, the intensity of the lyric and the rhythm of the singing, the rhythm of the rhythm and the rhythm of the choir.Among them, the habit of light and light tone and the impact of vocal rhythm is very important.In the second section, the phenomenon of "break sentence" is illustrated and how to solve it is tried.The third chapter consists of three sections: the basic sentence pattern and the change sentence pattern of Shandong Qin Book, the basic sentence pattern and the change sentence pattern of Shandong Qin Book, and the restriction relationship between the word pattern and the singing pattern.In the fourth chapter, the author thinks that the relationship between the two words is a good one as long as it is beneficial to the expression of the overall effect of the work.No matter opera or quyi, they all pay attention to the appearance of the phenomenon of "reciting words" and "breaking sentences".An excellent work is bound to follow the expression of the overall effect of the work, so as to combine the proper advantages of singing and lyrics, complement each other, and jointly serve the content of the whole work.The same is true of Shandong Qin books. Understanding the law of the relationship between colloquial words and handling principles will make Shandong Qin books more infectious and carry on better.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J617.9

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