《奥赛罗》中的“黛丝德蒙娜”与《原野》中的“金子”角色对比研究

发布时间：2018-04-01 18:12

本文选题：歌剧　切入点：奥赛罗　出处：《东北师范大学》2011年硕士论文

【摘要】：歌剧是一种综合的艺术形式,它诞生于16世纪末意大利的弗罗伦萨,距今已有四百多年的历史。对于中国人来说,歌剧是个“外来品”,如何把歌剧题材“洋为中用”,历来都是摆在中国歌剧创作者面前的一个考验和挑战。中国歌剧诞生于二十世纪初,进百年的时间内以有过三次发展高潮。欧洲歌剧与中国歌剧有着不同的发展历程和发展背景,所以在同一题材下所表现出来的人物也是不一样的。歌剧《奥赛罗》与《原野》,主题都是表现爱情悲剧的,但是由于两部歌剧产生的背景与创作的环境不一样,所以两部歌剧的女主人公黛丝德蒙娜与金子所表现出来的人物性格是完全不一样的。歌剧《奥赛罗》中的黛丝德蒙娜是一位出身高贵,美丽,温柔,善良而单纯的女性,但是在她身上同时存在着坚强和反叛的一面,在争取自主的婚姻爱情时表现出了一个新时代女性敢于挑战家族父权的反叛精神,而在后来面对丈夫的冤枉,侮辱甚至是杀害,黛丝德蒙娜却表现的十分懦弱和手足无措。歌剧《原野》中的金子,不同于中国传统的女性,她泼辣如火,又真挚似水,拥有率真坦荡,敢爱敢恨的可爱性格,同时也拥有着“火一般的热情”和“强悍的心”。本文除了通过具体的唱段来分析两位主人公的人物性格,同时也通过人物性格深入的两位主人公的审美价值。黛丝德蒙娜的审美价值在于她的完美人性,高尚和伟大,告诉我们美的实质是什么,爱情的真谛是什么。而金子的审美价值在于具有多方面性格的年轻妇女,通过对金子的描写,反映了当时人们反文明的力度和限度,以及人追求人样生活的悲惨失败。表现了被压迫被摧残的中国农民对美好生活的向往,更深层次的挖掘了人性的复杂性和多面性。本文通过五个章节具体阐述了以上观点。第一章主要阐述欧洲歌剧与中国歌剧的发展历程及创作特点,第二章具体阐述歌剧《奥赛罗》与歌剧《原野》的创作背景和剧情梗概。第三章阐述两部歌剧中的女主人公黛丝德蒙娜与金子的具体唱段分析,通过对具体唱段的分析来阐述两个人物的性格特点。第四章主要阐述两位主人公的艺术表现。
[Abstract]:Opera is a comprehensive art form. It was born in Florence, Italy, at the end of the 16th century and has a history of more than 400 years. For the Chinese, Opera is a "foreign product". How to use the theme of opera "in China" has always been a test and challenge for Chinese opera creators. Chinese opera was born in the early 20th century. In the last hundred years, there have been three climaxes of development. European opera and Chinese opera have different development processes and backgrounds, so the characters under the same theme are different. The themes of the opera Othello and the Plains both express the tragedy of love, but the background of the two operas and the environment in which they are created are different. So the heroine of the two operas, Daisy de Mona, is completely different from the character gold has shown. In Othello, the heroine of Othello is a woman of noble, beautiful, gentle, kind and simple birth. But there is both a strong and rebellious side in her body. She shows a new era of women who dare to challenge the patriarchal spirit of the family when they fight for their own marriage and love, and later face the injustice, insult or even murder of their husbands. Deiss de Mona, however, was very cowardly and bewildered. The gold in the opera "the Field" was different from the traditional Chinese women. She was hot and sincere, and she had a lovely personality that was frank and frank, and loved and hated. At the same time, it also has "fire like enthusiasm" and "strong heart". In addition to analyzing the characters of the two protagonists by means of specific choreography, At the same time, through the aesthetic value of the two protagonists, who are deeply rooted in the characters' character, the aesthetic value of Destmona lies in her perfect humanity, nobility and greatness, telling us what the essence of beauty is. What is the true meaning of love? and the aesthetic value of gold lies in young women with various personalities. Through the description of gold, it reflects the strength and limit of people's anti-civilization at that time. And the tragic failure of people in pursuit of human life. It shows the yearning of the oppressed and destroyed Chinese peasants for a better life, and further excavates the complexity and multi-facets of human nature. This paper elaborates the above viewpoints through five chapters. The first chapter mainly expounds the development process and creative characteristics of European opera and Chinese opera. The second chapter elaborates the background and the plot outline of the opera Othello and the opera the Field. The third chapter elaborates the analysis of the heroine Destmona and gold in the two operas. The fourth chapter mainly expounds the artistic expression of the two protagonists.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832

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