《茶馆》的创作、演出及其主题多义性阐释

发布时间：2018-04-04 13:24

本文选题：老舍　切入点：《茶馆》　出处：《曲阜师范大学》2016年硕士论文

【摘要】：《茶馆》是建国后老舍戏剧创作的巅峰之作,作品以三幕戏的篇幅将中国近半个世纪的风云变幻和人情冷暖表现得淋漓尽致。《茶馆》的创作缘起具有历史复杂性,其成功有必然性因素也有偶然性因素。1949年老舍从美国回来,他对新中国充满希望和憧憬,创作了大量作品歌颂新中国,但老舍自己对这些作品都不满意,他时常处在创作失败的苦恼之中。1956年,“双百”方针提出,老舍开始写自己所熟悉的人和事,他在《秦氏三兄弟》的基础上创作了《茶馆》。《茶馆》是在复杂的时代背景和作者坚持文学创作规律的矛盾运动中创作的。正是因为老舍在紧张的政治局势下坚持了自己的文学主张,才保留了《茶馆》独特的魅力,我们才有机会看到一部中国当代话剧史上的经典之作。《茶馆》冲破了政治“一体化”的戏剧模式,契合了导演、演员和观众对新戏剧形式的探索,在受到赞扬的同时,也伴随着一系列否定和批评。北京人民艺术剧院本着对戏剧艺术的坚持和追求,承受着巨大的政治压力,将其演绎成一部在话剧舞台上影响中国半个多世纪的经典戏剧巨作。新时期以来,人艺版的《茶馆》曾赴西欧、日本、新加坡等地演出,被国外媒体称赞为“东方舞台上的奇迹”,由此奠定了其在中国话剧史上里程碑式的地位。《茶馆》的主题十分复杂。从表面上看,《茶馆》的主题是通过揭露旧社会的黑暗、腐朽来映衬新社会的美好,达到“葬送三个时代”的目的。在实质上,旧社会的黑暗、腐朽,与它的专制体制有密不可分的关系,也与国民素质的腐朽、愚昧有直接关系。老舍通过对专制政体下国民性的揭露,揭示黑暗、腐朽社会的根源;国民性是民族文化素质的体现,作者通过揭露国民性达到反思传统文化的目的。
[Abstract]:"Teahouse" is the peak of Lao She's dramatic creation after the founding of the people's Republic of China. In the space of the three-act play, the works vividly and vividly show the changes in the situation and the human feelings in China for nearly half a century. The origin of the creation of "Teahouse" is of historical complexity.When Lao She returned from the United States in 1949, he was full of hope and vision for the new China, and created a large number of works to eulogize the New China, but Lao She himself was not satisfied with these works.In 1956, according to the "double hundred" policy, Lao She began to write about people and things he was familiar with.He created Teahouse on the basis of "three brothers of Qin". "Tea House" was created in the contradictory movement between the complex background of the times and the author's adherence to the laws of literary creation.It was because Lao She insisted on his own literary propositions under the tense political situation that he retained the unique charm of "Tea House".It is only then that we have the opportunity to see a classic in the history of Chinese contemporary drama. Teahouse breaks through the political "integration" of the dramatic model and fits in with the exploration of new forms of drama by directors, actors, and audiences, and is praised at the same time.Also accompanied by a series of negation and criticism.The Beijing people's Art Theater, with its persistence and pursuit of dramatic art, bears enormous political pressure and deduces it into a classic dramatic masterpiece that has influenced China for more than half a century on the stage of drama.Since the new era, the "Teahouse" of the people's Art Edition has been performed in Western Europe, Japan, Singapore and other places, and has been praised by foreign media as "a miracle on the Oriental stage."This established its landmark position in the history of Chinese modern dramas. The theme of Teahouse is very complex.On the surface, the theme of teahouse is to expose the darkness and decay of the old society to set off the beauty of the new society, and to achieve the purpose of "destroying the three ages".In essence, the darkness and decay of the old society are closely related to its autocratic system, as well as to the decay and ignorance of the national quality.Lao She reveals the root of the dark and decadent society by exposing the national character under the autocratic regime, and the national character is the embodiment of the national cultural quality, and the author achieves the purpose of reflecting on the traditional culture by exposing the national character.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.34;J824

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