越剧“男腔”研究

发布时间：2018-04-05 15:30

本文选题：越剧　切入点：男女合演　出处：《杭州师范大学》2012年硕士论文

【摘要】：越剧艺术是江浙地区著名的地方戏曲。2006年入选国家级非物质文化遗产名录。其在漫长的发展过程中,经历了全男班、男女混演、女子越剧等几个重要时期。20世纪50年代开始,为了响应新时期文艺政策的号召,越剧一改“女子反串男角”的传统表演形式,就男女合演进行了具有特殊意义的创新改革。并由此拉开了长达半个多世纪的针对“男演员该如何演唱原有女子生腔以及创造发展新的男生腔”的争论和实践改革。同时,也正是这种争论和不断进行的创新,建构了当代越剧发展路径。本研究试从传统与创新的角度,对这一目前仍在改革探索中的越剧表演形式进行学术梳理,同时就当代越剧男腔的处境、以及其作为非物质文化遗产背后所传达的传统的再创造问题展开讨论。
[Abstract]:The art of Yue Opera is a famous local opera in Jiangsu and Zhejiang. It was selected as a national intangible cultural heritage list in 2006.In the long process of development, it has experienced several important periods, such as all-male classes, mixed performances of men and women, and women's Yue opera. In order to respond to the call of literary and artistic policies in the new era, it began in the 1950s.Yueju Opera changed the traditional performance form of "female actor", and carried on the innovation reform of the male and female co-acting.And thus opened up for more than half a century of debate and practice of "male actors should sing the original female voice and create and develop a new male voice" and practical reform.At the same time, it is this kind of argument and continuous innovation that constructs the development path of the contemporary Yueju Opera.From the angle of tradition and innovation, this research tries to sort out the performance form of Yueju opera, which is still in the process of reform and exploration, and at the same time, it discusses the situation of contemporary Yueju opera male performance.And as an intangible cultural heritage behind the transmission of the traditional re-creation of the discussion.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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