从视觉的角度看当代戏剧舞台的幻觉和非幻觉

发布时间：2018-04-06 05:32

本文选题：幻觉　切入点：非幻觉　出处：《安徽大学》2010年硕士论文

【摘要】： 幻觉论的产生和发展直接促进了舞台真实性的发展,写实主义戏剧过多的强调幻觉将戏剧舞台紧紧的禁锢在一个小的范围内,由于创造幻觉的需要,大量逼真的布景被搬到舞台,致使舞台过于繁琐,与此同时也限制了戏剧的表现形式。随之而来的实验戏剧打破这个禁锢,他们在舞台上强调非幻觉,在表现形式上丰富和发展了舞台,扩大了舞台的空间和表现张力。新现实主义戏剧将前两者进行了有机的结合,它的出现并没有抛弃现实主义,而是探索表现现实更有利的方法。本文列举了当代戏剧中部分经典剧目,作为实例论证笔者的观点,其中也包括了部分图片。
[Abstract]:The emergence and development of hallucination theory directly promoted the development of stage authenticity. The excessive emphasis on illusion in realistic drama confined the stage tightly to a small range, due to the need of creating hallucinations.A large number of lifelike scenes were moved to the stage, making the stage too onerous and limiting the performance of the play.The subsequent experimental drama breaks through this confinement. They emphasize non-hallucination on the stage, enrich and develop the stage in the form of expression, and expand the space and performance tension of the stage.Neo-realism drama combines the former two organically, and its appearance does not abandon realism, but explores more favorable ways of expressing reality.This paper enumerates some classical plays in contemporary drama, and demonstrates the author's point of view as an example, including some pictures.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J813

【共引文献】