大庸阳戏音乐研究

发布时间：2018-04-09 14:22

本文选题：中国传统音乐　切入点：地方戏曲　出处：《天津音乐学院》2012年硕士论文

【摘要】：大庸阳戏是我国传统戏曲文化的一部分,是流行于张家界一带的地方小戏。大庸阳戏由本地民间歌舞发展成为戏曲形态,它经历了“二小”(小丑、小旦)、“三小”(小丑、小旦、小生)及多行当的形成、衍变和发展阶段,音乐上吸收当地的民歌、花灯、傩戏等音乐元素。大庸阳戏在张家界土家族文化中具有举足轻重的地位。本文从大庸阳戏的生态环境、简史、传承谱系入手,对大庸阳戏的旋法、调式调性、节奏节拍、唱腔和伴奏音乐等方面进行分析;对大庸阳戏的润腔特点和演唱的发声技巧所表现出的独特艺术魅力进行阐述;笔者并在实地考察的基础上,对大庸阳戏的老艺人和剧团进行调查和研究,希望能比较客观真实地描述大庸阳戏目前的现状,增加对大庸阳戏的感性认识,为其传承和保护做一些基础性的工作,亦为笔者进一步研究打下基础。
[Abstract]:Dayong Yang Opera is a part of Chinese traditional opera culture and is popular in Zhangjiajie area.Dayong Yang Opera has evolved from a local folk song and dance to a traditional opera form. It has experienced the formation, evolution and development of "two small" (clown, small Dan, "three small" (clown, small Dan, Xiao Sheng) and multi-profession, and the music has absorbed local folk songs.Lanterns, Nuo opera and other musical elements.Dayong Yang Opera plays an important role in the Tujia culture of Zhangjiajie.This article starts with the ecological environment, brief history, inheritance and genealogy of Dayong Yang Opera, and analyzes its rotation, tone, rhythm, singing and accompaniment music.On the basis of field investigation, the author investigates and studies the old entertainers and troupes of Dayong Yang Opera.It is hoped that the present situation of Dayong Yang Opera can be described objectively and truthfully, the perceptual understanding of Dayong Yang Opera can be increased, some basic work be done for its inheritance and protection, and the foundation for the author's further study will be laid.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J617.5

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