张庆奎及其表演艺术研究

发布时间：2018-04-09 23:06

本文选题：蒲剧　切入点：张庆奎　出处：《山西师范大学》2012年硕士论文

【摘要】：张庆奎作为蒲剧表演艺术家，是与王秀兰、阎逢春、杨虎山、筱月来齐名的蒲剧五大名演员，曾凭借《三家店》一剧，获得优秀演员奖，先后于1957年、1977年分别当选为山西省戏剧家协会理事、山西省政协委员。蒲剧是产生较早的梆子声腔剧种之一，在其自身的历史发展过程中，积累了丰厚的戏剧文化底蕴和丰富的舞台表演经验，张庆奎在继承蒲剧传统的基础上，行腔运调不拘泥于古法，又借鉴其他演员的长处和兄弟剧种的唱腔，善于学习，，敢于创新。最终形成了独具特色的高亢激越、韵味无穷的声腔与遒劲豪放、气势浑厚的做派，成为蒲剧的代表人物之一。张庆奎七岁入蒲剧科班，抗日战争时期曾流亡陕西，家学渊源，先天条件再加上后天的努力，十三岁便赢得了“十三红”的美誉，至新中国成立时，已积累了丰富的演出经验，成为蒲剧须生行当的杰出演员。在建国后，他积极响应党和国家的号召，参与蒲剧传统剧目的改编和蒲剧现代戏的编演，为蒲剧能与时俱进的发展寻找新的途径和方法。从艺五十余年，张庆奎几乎把生命中的大部分时间都用在了戏曲表演上，几十年如一日的练习蒲剧表演的基本功，又精于巧思，在功架、身段方面创造了许多拿手绝活，丰富了蒲剧的表演技巧与手段，是独具一格的张派艺术创始人。他总结自己舞台经验撰写成文，以备后辈学艺之用，同时不遗余力、一招一式的培养年轻演员，对蒲剧艺术的发展作出了重要贡献。本论文旨在论述和评价张庆奎及其表演艺术，对其唱腔艺术和身段表演进行归纳、总结，突出其对蒲剧艺术的继承和发展，全文共分四章。第一章分四节，对张庆奎的艺术人生给予较详尽的叙述，虽非评传，但基本写尽了他学艺、演戏、育徒的一生经历。第二三四章中，既有对张庆奎代表剧目及其表演的分析，也有对其表演风格和唱腔、道白以及功架艺术表演经验的概括，以此彰显他的表演特色。同时试图将张庆奎表演艺术上升到理论的高度，以戏曲美学来观照其表演，意在对张庆奎在蒲剧表演艺术方面的贡献给以适当的历史定位。
[Abstract]:Zhang Qingkui, as a performing artist of Po Opera, is one of the five most famous performers of the Pu Opera, who is known as Wang Xiulan, Yan Fengchun, Yang Hushan, and Xiao Yue. He once won the excellent Actor Award for a play called "Sanjiadian".Successively in 1957, 1977 respectively elected Shanxi dramatist association director, Shanxi Province CPPCC member.Pu Opera is one of the earliest forms of Bangzi Opera. In its own historical development, it has accumulated rich drama culture and rich stage performance experience. Zhang Qingkui inherited the tradition of Pu Opera.Line tune is not stuck to the ancient style, but also learn from the strengths of other actors and brotherly choir, good at learning, dare to innovate.Finally formed the unique hyperactivity, the charm of the infinite voice and bold bold, vigorous style, become one of the representative characters of Puju.At the age of seven, Zhang Qingkui joined the Puju branch class. During the War of Resistance against Japan, he went into exile in Shaanxi Province, with family origins, innate conditions and efforts made the day after tomorrow. At the age of 13, he won the reputation of "Thirteen Red". By the time of the founding of New China, he had accumulated rich performance experience.To become an outstanding actor in the life of Po Opera.After the founding of the people's Republic of China, he actively responded to the call of the Party and the country and participated in the adaptation of the traditional repertoire of the Puju Opera and the compilation and performance of the Modern Drama of the Puju Opera.From more than 50 years of art, Zhang Qingkui has spent most of his life on opera performances. After decades of practicing the basic skills of the performance of Po Opera, he is also good at thinking skillfully, and has created a lot of special skills in the aspects of merit and style.It enriches the performing skills and means of Po Opera, and is a unique founder of Zhang School of Art.He summed up his stage experience to write for future generations to learn the art, while sparing no effort to train young actors, to the development of the art of Puju made an important contribution.The purpose of this paper is to discuss and evaluate Zhang Qingkui and his performing arts, to sum up and summarize his singing art and body performance, and to highlight his inheritance and development to the art of Puju Opera, which is divided into four chapters.The first chapter is divided into four sections, giving a more detailed description of Zhang Qingkui's artistic life.In Chapter 234, there is an analysis of Zhang Qingkui's representative repertoire and his performance, as well as a summary of his performance style and singing, Taoism and Gongjia's artistic performance experience, so as to show his performance characteristics.At the same time, the author tries to raise Zhang Qingkui's performing art to the theoretical level and to view his performance in the light of opera aesthetics, in order to give an appropriate historical orientation to Zhang Qingkui's contribution to the performing art of Pu Opera.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825

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