新编二人台历史剧《君子津》创作特征及唱腔表演艺术研究

发布时间：2018-04-11 15:29

本文选题：二人台 + 《君子津》　；参考：《内蒙古大学》2017年硕士论文

【摘要】：君子津为黄河上游与中游分界线以下百公里以内的一个古渡口。位于今托克托旧城榆树湾附近。如今它早已不再是一个地名,而是正直无私、淳朴善良、诚信友爱的黄河人民的象征。2013年,在县政府的大力支持下,托克托乌兰牧骑领导及演员的共同努力下,终于将君子津这一流传千年的传说成功的打造为一幕大型二人台历史剧目。一方面在挖掘、发扬地方优秀的历史文化做出贡献;同时,在另一方面对于二人台戏曲发展具有时代性的重要意义。《君子津》完全秉承"本土制造"的创作原则,编演团队人员都为本地的艺术家及演员。与传统二人台剧目相比,该剧在剧本文学、音乐创作、唱腔、舞台表演、舞美及整个剧目篇幅上都呈现出新的艺术特点。本文着重从其创作特征及唱腔表演艺术特征方面进行论述,尝试窥探新时代下二人台艺术一些新的发展特点及规律。剧目创作特征主要表现在剧本文学、音乐创作两大方面。剧本文学语言极具二人台戏剧语言特色,朴实生动、极具乡土生活气息。精妙的文学修辞及方言语韵的运用成为本剧的一大特色。音乐创作方面,作者以传统二人台经典曲牌为基础,借鉴碗碗腔、眉户、豫剧、晋剧中的音乐元素,运用板腔体的发展手法发展剧中音乐。成功的使二人台音乐具有了反映大型题材的能力和表现力。唱腔表演艺术特征表现在俩方面,一是二人台传统唱腔基础上的板腔化演唱处理。二是剧中人物以戏曲行当进行角色定位及表演风格的程式化。通过对剧目各个特征的详细分析研究,进而深入的了解这一发源于乡间瓦舍的地方戏曲艺术,怎样由"小戏"发展为"大戏"、由民间"打坐腔"发展到舞台大剧,草根音乐文化如何尝试由"俗"变"雅"的发展。以此为二人台艺术的发展做出些许贡献。
[Abstract]:Gentleman Tianjin for the upper and middle reaches of the Yellow River dividing line within a hundred kilometers within an ancient ferry.It is located near Elm Bay, the old city of Toctor.Now it is no longer a place name, but a symbol of the people of the Yellow River who are honest and selfless, honest and kind. In 2013, with the strong support of the county government, Toctor Wu Lan led and acted together.Finally, this thousand-year-old legend has been successfully built into a large-scale two-man Taiwan historical repertoire.On the one hand, they are excavating and carrying forward the outstanding local historical and cultural contributions; on the other hand, on the other hand, they are of great significance to the development of the two people's Taiwan operas.The production team is made up of local artists and actors.Compared with the traditional two people's Taiwan repertoire, the play presents new artistic features in terms of script literature, music creation, singing, stage performance, dance beauty and the length of the entire repertoire.This paper focuses on its creative characteristics and singing performance art characteristics, trying to explore some new development characteristics and laws of the two people's Taiwan art in the new era.The characteristics of repertoire creation are mainly shown in two aspects: script literature and music creation.The language of script and literature has the characteristics of two-man-Taiwan drama language, simple and vivid, very local life atmosphere.Sophisticated literary rhetoric and the use of square language rhyme become a major feature of the play.In the aspect of music creation, the author bases on the classical music of the traditional two-person stage, draws lessons from the musical elements of bowl cavity, eyebrow, Henan opera and Jin opera, and develops the music of the play by using the development technique of the board cavity.The success of the two music with the ability to reflect large-scale themes and expressiveness.The characteristics of singing performing art are shown in two aspects, one is the treatment of board singing on the basis of traditional singing.The other is the role orientation and stylized performance style of the characters in the opera.Through the detailed analysis and study of the various features of the repertoire, we can further understand how this local opera art originated in rural Washer has developed from "small drama" to "big opera", and from folk "sitting down" to stage drama.How does grassroots music culture try to change from vulgarity to elegance?In order to make some contributions to the development of the two-person-Taiwan art.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825;J617.5

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