试论歌剧《假面舞会》中阿梅利亚和她的一首咏叹调

发布时间：2018-04-12 13:42

本文选题：《假面舞会》 + 阿梅利亚　；参考：《河南大学》2015年硕士论文

【摘要】：《假面舞会》是威尔第于创作成熟期的代表作品之一,其情节错综复杂,有较强的戏剧性和矛盾冲突性,而整部歌剧的矛盾冲突的核心,就在于第一女主角阿梅利亚。她温柔、知性,却又不失勇敢和责任心。她的唱段婉转细腻,富有难度,对歌者的唱功要求比较高,而且更注重演唱者内心对歌曲的理解。本文将以笔者音乐会中,亲身饰演阿梅利亚这一人物的体验与感想为切入点,从以下三个方面对本次选题进行论述。第一,通过查阅资料和对不同版本的歌剧演出的观摩来分析人物的性格特征,经过对剧目的反复排练来协调肢体、唱段、音乐,三方面的统一。最终确定人物形象的呈现方式。第二,针对阿梅利亚于歌剧第三幕中,第一部分的咏叹调《最后的愿望》进行深入的演唱分析和情感的细节处理。第三,从音乐会实践的角度来谈对歌剧人物的现场把握,通过笔者饰演该人物的体会与心得,希望为以后的声乐学习者做一个抛砖引玉的参考。
[Abstract]:Masquerade Ball is one of the representative works of Verdi in the mature period of creation. Its plot is complicated, dramatic and contradictory, and the core of the contradiction and conflict of the whole opera lies in the first heroine Armella.She was gentle, intellectual, yet brave and responsible.Her choir is delicate and difficult, demanding the singer's singing skills, and paying more attention to the singer's inner understanding of the song.In this paper, I will play Armella in the concert, personal experience and feelings as a breakthrough point, from the following three aspects of this topic discussed.First, through consulting data and observing different versions of opera performances to analyze the character characteristics of the characters, through repeated rehearsals of the repertoire to coordinate the body, choir, music, three aspects of unity.Finally determine the presentation of the character image.Secondly, in view of Armella in the third act of opera, the first part of the aria "final wish" for in-depth singing analysis and emotional detail processing.Thirdly, from the point of view of concert practice, the author talks about the scene grasp of the opera characters, through the writer's experience and experience as the character, hoping to do a reference for the later vocal music learners.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J617.2

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