香港与澳门话剧的本土意识比较

发布时间：2018-04-13 20:55

本文选题：本土意识 + 人本主义　；参考：《戏剧艺术》2017年04期

【摘要】：香港与澳门的现代话剧起步类似,真正形成自身特色是从上世纪70年代本土话剧时期开始的。在本土话剧阶段,香港以批判式的反思展现了其城市发展的成熟程度,而澳门则侧重于人性伦理的人本主义主题。对人的主体性思考延向了两城话剧的文化寻根阶段。港澳话剧在文化寻根中汇流,方式各异,呈现了整体性和个体性感受的结果差异。文化寻根的酝酿和探寻又催生了两城市民生活题材的新写实类型,新写实是文化思考之后的扬弃,是对市民生活的自我定位和分析。70年代港澳本土话剧阶段以来,两城话剧比以往任何时期都要关注人的心灵问题,成为中国话剧重要的分支。
[Abstract]:The modern drama of Hong Kong and Macao started to be similar and formed its own characteristics from the 1970s local drama period.In the stage of local drama, Hong Kong demonstrated the maturity of its urban development with critical reflection, while Macao focused on the humanism theme of human ethics.The thinking of human subjectivity extends to the stage of cultural root-seeking of the two cities' drama.Hong Kong and Macao dramas converge in cultural roots in different ways, presenting different results of holistic and individual feelings.The development and exploration of cultural roots has given birth to new realistic types of life themes in the two cities. The new realism is the sublation of cultural thinking and the self-orientation and analysis of the local drama in Hong Kong and Macao in the 1970s.As an important branch of Chinese drama, the two cities pay more attention to the human mind than ever before.
【作者单位】：澳门科技大学国际学院;
【基金】：2017至2018学年度澳门科技大学研究基金(FRG)(项目编号:FRG-17-017-UIC)研究成果
【分类号】：J824

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