论越剧在南京的传播与发展

发布时间：2018-04-19 09:53

  本文选题：越剧传播 + 竺水招　； 参考：《南京艺术学院学报(音乐与表演)》2017年03期

【摘要】：越剧传入南京,肇始于1935年,40年代形成规模,获得南京观众的关注,最终开拓了南京的演剧市场,成为南京重要的剧种之一。50年代竺水招率领云华越剧团从上海到南京演出,并留驻南京成立南京市越剧团,为南京越剧的发展做出了巨大贡献。文革时期,越剧遭到毁灭性打击,其发展也全面停滞。改革开放的春风唤醒了越剧沉睡的种子,但在市场经济改革的时代背景下,越剧的观众市场逐渐萎缩,国营化的剧团改革势在必行。经过90年代以来的剧团改制,南京的越剧焕发出新的时代生机。
[Abstract]:The introduction of Yue Opera into Nanjing began in 1935 in the 1940s and gained the attention of the Nanjing audience. Finally, it opened up the performance market in Nanjing and became one of the most important plays in Nanjing. In the 1950s, Zhu Shuizhao led the Yunhua Yue Opera Troupe to perform from Shanghai to Nanjing.And stayed in Nanjing to set up a Yuetuan, Nanjing Yueju for the development of a great contribution.During the Cultural Revolution, Vietnam Opera suffered a devastating blow, its development also completely stalled.The spring wind of reform and opening up awakens the seeds of the slumber of Yueju Opera, but under the background of market economy reform, the audience market of Yueju opera shrinks gradually, and the reform of state-owned opera troupes is imperative.After the reform of the opera troupe since the 1990 s, the Yueju Opera in Nanjing was enlivened in the new era.
【作者单位】： 南京艺术学院艺术学研究所;
【基金】：高校优势学科建设工程资助项目(PAPD) 高校哲学社会科学优秀创新团队建设项目“中国特色艺术理论建构与文化创新研究”(2015ZSTD008)阶段性成果 《江苏省高校社科团队:中国特色艺术理论建构与文化创新研究(DGXYJYS15)》阶段成果
【分类号】：J825
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本文编号：1772606