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当今戏曲传播中的“泛娱乐化”现象论析

发布时间:2018-04-19 12:18

  本文选题:戏曲 + 大众传播 ; 参考:《中国传媒大学》2009年硕士论文


【摘要】: 戏曲自古就是国人重要的娱乐方式,即使在今天,依然有大量的观众通过欣赏戏曲,愉悦身心。进入新世纪,伴随着传播媒介的更新发展,戏曲也在和传播媒介交融的过程中不断发展变化,出现许多特殊的现象,这就包括戏曲传播中的“泛娱乐化”现象。由于社会角色的差异,这种现象在戏曲工作者、戏迷和普通大众之间引起了激烈的论争,褒贬不一。 近年来,戏曲传播中的各种新现象,尤其是其多样化的表现形式,已经引起了学者们广泛地关注。但是,对戏曲传播中“泛娱乐化”现象的讨论却不多见。基于此,本文以戏剧戏曲学和传播学两个学科的理论知识为基础,利用个案分析法、文献研究法、归纳法等研究方法,尝试对该现象展开浅要地论析。论文的第一部分主要是对现象的描述,展示当今戏曲传播中“泛娱乐化”现象的表现。第二部分,通过对现象进行归纳、整理,阐述该现象的内涵,归纳其普通性规律。 通过前文的归纳,在第三部分开始探究该现象产生的原因,并在第四部分讨论该现象的影响。第五部分则尝试提出合理的应对策略。最后,在结语中呼唤真正雅俗共赏的优秀戏曲作品不断涌现,展现戏曲作为中华文化精髓的真实风貌,维护戏曲的可持续发展。 本文旨在通过对戏曲传播中的“泛娱乐化”现象进行归纳、整理,揭示其影响,进而为在新媒介环境下采用合理的应对策略,维护戏曲的可持续发展提供一些有益的思考。
[Abstract]:Opera has been an important entertainment for Chinese people since ancient times, even today, there are still a large number of audience through the appreciation of opera, happy body and mind.In the new century, with the renewal and development of the media, opera is also developing and changing in the process of blending with the media, and many special phenomena appear, which include the phenomenon of "pan-entertainment" in the communication of opera.Due to the differences in social roles, this phenomenon has caused fierce controversy among opera practitioners, opera fans and the general public.In recent years, various new phenomena in opera communication, especially its diverse forms of expression, have attracted wide attention of scholars.However, there are few discussions on the phenomenon of "pan-entertainment" in opera communication.Based on the theoretical knowledge of drama drama and communication, this paper tries to analyze this phenomenon by case analysis, literature research, induction and so on.The first part of the paper mainly describes the phenomenon, showing the phenomenon of "pan-entertainment" in opera communication.The second part, through the phenomenon induction, arrangement, elaborated this phenomenon connotation, induces its common law.In the third part, the causes of the phenomenon are discussed, and the influence of the phenomenon is discussed in the fourth part.The fifth part tries to put forward reasonable countermeasures.Finally, the conclusion calls for the emergence of outstanding opera works that are truly elegant and popular, showing the true style and features of the essence of Chinese culture, and maintaining the sustainable development of traditional Chinese opera.The purpose of this paper is to summarize and sort out the phenomenon of "pan-entertainment" in the dissemination of traditional Chinese opera, to reveal its influence, and then to provide some useful thoughts for the adoption of reasonable coping strategies in the new media environment and the maintenance of the sustainable development of opera.
【学位授予单位】:中国传媒大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J80-05

【引证文献】

相关硕士学位论文 前2条

1 滕攀;湘西南路阳戏研究[D];陕西师范大学;2011年

2 王聪;戏曲网站生存状况调查报告[D];山西师范大学;2012年



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