关于戏曲本体论问题与叶朗、施旭升和李伟等先生对话

发布时间：2018-04-20 02:34

本文选题：戏曲艺术 + 艺术作品　；参考：《艺术百家》2016年01期

【摘要】："形式因"对戏曲艺术这种纯粹的艺术样式而言是最重要的。形式自身就具有一种审美意蕴。所谓"内容"是充分包含了成熟的形式因在内的。京剧艺术是发展得最完善、最纯粹的一种艺术样式,它是充分的用形式消灭了它的内容而生成的最高审美的观念艺术。梅兰芳访问苏联是中国戏曲艺术审美观念真正影响西方戏剧向"东"看的开端。中国传统戏曲艺术的主要性质并不是以歌舞演故事,而是将已真相大白的故事梗概加以极其复杂化、艰奥化、美轮美奂的唱念做(舞)打的审美呈现。由于深深受到了围绕在身边留学、游学西方的文人价值观念的影响,无论从剧目还是表演理念上看,梅兰芳的京剧表演很大程度上已经不是传统意义上的古典艺术。
[Abstract]:The form cause is the most important for the pure artistic style of opera art. Form itself has an aesthetic implication. The so-called "content" fully includes mature formal causes. The art of Beijing Opera is the most perfect and purest art style. It is the highest aesthetic concept art that has been formed by eliminating its content with sufficient form. Mei Lanfang's visit to the Soviet Union was the beginning of the Chinese opera aesthetic concept that really influenced the western drama to the East. The main nature of Chinese traditional opera art is not to sing and dance the story, but to complicate the truth of the story, difficult, beautiful singing and singing (dance) of the aesthetic presentation. Deeply influenced by the literati values around studying abroad and studying in the West, Mei Lanfang's Peking Opera performance is to a large extent not a classical art in the traditional sense, either from the repertoire or from the performing concept.
【作者单位】：武汉大学哲学学院;
【分类号】：J80-02

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