歌剧《阿依达》中的重唱演唱艺术探究

发布时间：2018-04-20 20:03

本文选题：《阿依达》 + 重唱分布　；参考：《陕西师范大学》2010年硕士论文

【摘要】： 《阿依达》在世界歌剧艺术史上是一部极具魅力的伟大作品,也是著名歌剧大师威尔第最成熟,最具有代表性的作品之一。它讲述了古埃及时代一个极其动人心魄的爱情悲歌,剧中旋律优美动人,场面恢宏,极具东方情调。本文通过对歌剧《阿依达》中重唱唱段的分布排列情况,表现风格类型,及其中几个典型重唱唱段的分析来研究和探讨《阿依达》中重唱丰富的演唱特征和表现手法,从中挖掘出其特有的艺术价值。论文第一章为引言部分,主要阐述了文章的理论意义,研究价值,研究方法和国内外研究现状。第二章论述了歌剧《阿依达》的剧情发展及其重唱布局。分前后两部分,前半部分主要介绍了剧作者威尔第的歌剧创作史及《阿依达》的创作背景和剧情发展。后半部分就剧中的主要人物和重唱唱段分布做了列表分析。第三章探讨了《阿依达》中重唱的表现类型及重唱对人物性格形象的塑造和刻画。从声部数量,音色,情感表现三个不同的视野和角度对《阿依达》中的重唱进行了划分。并从重唱演唱对人物性格的塑造刻画方面对剧中的几个主要人物：阿依达,拉达梅斯,阿慕奈瑞斯和阿莫纳斯罗进行了简要分析。第四章则从声乐演唱的角度出发总结了《阿依达》中重唱作品的一些演唱特点。首先强调了全面分析了解创作背景及作品内容内涵的重要性,其次论述了《阿依达》中重唱演唱的声音特点和声部配合的要求,及对声乐演员的声音要求,最后就剧中的几个主要重唱唱段做了简要的分析。第五章就《阿依达》中重唱演唱在歌剧实践中的作用发表了一些浅显的见解。从它对声乐演唱技巧,视唱练耳水平,舞台表演能力,集体协作能力几方面的作用做了简要的阐述。本文以基础的理论研究与具体歌剧排练实践相结合的方式结合谱例研究展开完成,着力探讨《阿依达》中的重唱演唱特征及其在实际排练中的重要作用和意义,以求为广大的声乐演唱者更好地理解和演唱《阿依达》中的重唱作品起到一点积极的作用。
[Abstract]:Aida is one of the most charming works in the history of world opera art and one of the most mature and representative works of the famous opera master Verdi. It tells of an extremely touching love song in ancient Egypt, with beautiful melodies, magnificent scenes and an oriental tone. This paper studies and discusses the rich singing characteristics and techniques in the opera "Aida" through the analysis of the distribution and arrangement of the choir, the style of expression, and the analysis of several typical choir segments in the opera "Aida". From the excavation of its unique artistic value. The first chapter of the paper is the introduction, which mainly describes the theoretical significance, research value, research methods and research status at home and abroad. The second chapter discusses the development of opera Aida and the arrangement of duet. There are two parts before and after, the first half mainly introduces the opera creation history of Verdi, the background and plot development of Aida. The latter part makes a tabular analysis of the main characters and chorus distribution in the play. The third chapter discusses the performance types of duet and the portrayal of characters in Aida. The stress in Aida is divided from three different perspectives: the number of vocal parts, timbre and emotional expression. The main characters in the play, Aida, Radamez, Amuneres and Amonasro, are briefly analyzed from the perspective of the portrayal of the character of the characters in the recital. The fourth chapter summarizes some characteristics of the duet in Aida from the angle of vocal music singing. First of all, it emphasizes the importance of comprehensive analysis and understanding of the background of creation and the connotation of the content of the work. Secondly, it discusses the sound characteristics and the requirements of the coordination of the vocal part and the sound requirements of the vocal actors in "Aida". Finally, a brief analysis is made of the main choir in the play. The fifth chapter gives some simple views on the role of duet singing in opera practice in Aida. This paper briefly expounds the functions of vocal music singing skill, solfeggio level, stage performance ability and collective cooperation ability. In this paper, by combining the basic theoretical research with the practice of the specific opera rehearsals, and combining with the study of spectrum examples, this paper focuses on the characteristics of the duet in "Aida" and its important role and significance in the actual rehearsals. In order to make the vocal singers better understand and sing the duet works in Aida, it plays a positive role.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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