赣南采茶戏丑角表现艺术研究

发布时间：2018-04-22 01:12

本文选题：赣南采茶戏 + 丑角　；参考：《江西师范大学》2009年硕士论文

【摘要】： 赣南采茶戏丑角的表演艺术,有着深厚悠久的历史,起源于江西赣南地区先民采茶时自娱自乐的艺术雏形,生活气息非常浓厚,有着广泛的群众基础,不断蔓延流传于江西省各地,在传承过程中不断汲取了邻省其它剧种的有效养分,随着无数代丑角艺人对其表演艺术的革新、深化、提升,逐渐演化成今天浑身是戏,功夫多样,兼具包容性和灵活性等诸多特点的表演形式。本文在前人的研究成果上,结合自身多次的考察,以赣南采茶戏相关的文史资料为基础,采用多种研究方法,对赣南采茶戏丑角的形成与发展进行了深入细致的研究;通过对唱腔、念白、做舞等方面的详细分析,使赣南采茶戏丑角的表现艺术特点更加脉络清晰的呈现出来。赣南采茶戏丑角以歌、舞、戏三者并重为其显著标志,有戏必有歌,有歌必有舞,以歌表戏,以舞表歌。其“舞”特征主要体现在:矮子步、单水袖、扇子花。这些舞蹈的语汇都是艺人们根据劳动人民在上山下山、采茶做茶等劳动生活中提炼创造出来的典型动作。赣南采茶戏丑角凭借诙谐的语言、婉转甜美的唱腔、清新自然的表演,塑造出性格鲜明、风趣可爱的艺术形象,在载歌载舞中对丑恶无情讽刺,对善良赞美歌颂。这种别具一格、自成一体的戏曲行当深深吸引和折服着多少代观众,活跃于当地及周边市井乡村,显示出旺盛的生命力。本文力图从丑角“唱、念、做、舞”的表现艺术上,梳理出一个层次清晰,结构严谨的赣南采茶戏丑角表演艺术的内在关系架构图,探寻该行当表演艺术的体系特征,并对赣南采茶戏丑角的传承与发展提供相应的理论构想。
[Abstract]:The performing art of the clown in Gannan tea picking drama has a deep and long history. It originated in the embryonic art of entertaining oneself when the ancestors of Jiangxi Gannan tea picking, and the atmosphere of life is very strong, and it has a broad mass base. Spread all over Jiangxi Province, in the course of inheritance, they have continuously absorbed the effective nutrients of other kinds of plays in neighbouring provinces. With the innovation, deepening and upgrading of the performing arts of countless generations of clown artists, they have gradually evolved into a whole body of drama today. Kung Fu diverse, inclusive and flexible and many other characteristics of the performance form. On the basis of the previous research results and the investigation of many times, based on the literature and history of Gannan tea picking drama, this paper makes a thorough and detailed study on the formation and development of the clown in Gannan tea picking drama by using various research methods. Through the detailed analysis of singing, reading, dancing and so on, the artistic characteristics of Gannan tea-picking play clown are presented more clearly. The clown of Gannan tea picking drama is marked by song, dance and play. There is a song, there is a song, there is a dance, there is a song to watch the play, and to dance the song. Its "dance" features are mainly reflected in: dwarf step, single water sleeve, fan flower. These dance vocabularies are typical movements created by artists based on the work life of the laboring people who work up and down the mountain, picking tea and making tea. Gannan tea-picking play clown with witty language, melodious singing, fresh and natural performance, shaping a distinct character, funny and lovely artistic image, in singing and dancing ugly ruthless satire, praise for kindness. This unique, self-contained opera business deeply attracted and convinced the audience for many generations, active in the local and surrounding rural areas, showing strong vitality. This article tries to carve out a clear and rigorous structure diagram of the inner relationship of the performance art of the clown in Gannan tea picking drama from the performance art of "sing, read, do, dance", and explore the systematic characteristics of the performance art of this line, which is called "singing, reading, doing and dancing". And Gannan tea-picking play clown inheritance and development to provide the corresponding theoretical ideas.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

【引证文献】