歌剧《苍原》中娜仁高娃人物形象的艺术魅力探析

发布时间：2018-04-23 06:06

本文选题：《苍原》 + 娜仁高娃　；参考：《西北师范大学》2009年硕士论文

【摘要】： 歌剧《苍原》是中国歌剧艺术史上里程碑的作品,本论文以歌剧《苍原》中女主人公娜仁高娃为研究对象,通过对娜仁高娃戏剧形象和音乐形象两个方面的分析、研究,进一步挖掘出了这个人物所具有的艺术形象魅力:敢爱敢恨的烈性女子形象;善良、纯真的土尔扈特女儿形象;勇敢无畏、不怕牺牲的巾帼英雄形象。论文由导论、正文和结语组成。导论,主要论述了选题的缘由及意义、相关研究概况、论文创新之处。正文由五个部分组成:第一部分对歌剧《苍原》进行了概括介绍;第二部分从娜仁高娃与剧中其他人物的关系和娜仁高娃的形象塑造两个方面对娜仁高娃的戏剧形象进行了分析;第三部分从娜仁高娃的音乐主题和娜仁高娃所演唱的咏叹调、重唱两个方面对娜仁高娃的音乐形象进行了分析;第四部分从演唱方面对娜仁高娃人物形象的二度创作提出了一些自己的见解和看法;第五部分对歌剧《苍原》的艺术魅力进行了分析。结语部分对歌剧《苍原》及其女主人公娜仁高娃做了总体评价。
[Abstract]:The opera Cang Yuan is a milestone in the history of Chinese opera art. This paper takes Narengawa, the heroine of the opera Cangyuan, as the object of study, through the analysis of the dramatic image and music image of Narengawa. Further excavates the artistic image charm of this character: the strong woman image that dares to love and dare hate; the good and pure Tulghuit daughter image; brave and fearless, not afraid of sacrifice heroine image. The paper is composed of introduction, text and conclusion. Introduction, mainly discusses the reason and significance of the topic, related research overview, the innovation of the paper. The text consists of five parts: the first part of the opera "Cangyuan" for a general introduction; The second part analyzes Narengawa's dramatic image from two aspects: the relationship between Narengawa and other characters in the play and the image shaping of Narengawa, the third part analyzes the musical theme of Narengawa and the arias performed by Narengawa. The music image of Narengaova is analyzed from two aspects: the fourth part puts forward some opinions and opinions on the second creation of the figure of Narengaova from the aspect of singing; The fifth part analyzes the artistic charm of opera Cang Yuan. The conclusion gives a general evaluation of the opera Cang Yuan and its heroine Narengaova.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J822

【引证文献】