从“走三

发布时间：2018-04-23 23:18

本文选题：东北大秧歌 + 舞蹈传统　；参考：《戏剧文学》2014年08期

【摘要】：正二人转是来源于东北大秧歌的,丑旦是大秧歌上、下装的置换,"二人转"是大秧歌"一副架"的变形。这是从角色和造型角度的考察,如果从具体舞蹈方式考察,仍然可以证明二人转是从东北大秧歌"劈出来的戏"。"三场舞"是传统二人转最重要的艺术形式。但"三场舞"并非二人转的创造,而是对东北大秧歌"情场"、"逗场"和"圆场"的凝练与升发。但东北大秧歌的"情场"、"逗场"和"圆场"又是来源于野人舞"求情"、"云雨"和"收盘"的。野人舞是居住在"野外"的满族"野人"舞蹈,
[Abstract]:The positive and double rotation originates from the northeast Yangko, the ugly Dan is the replacement of the big Yangko, and the Errenzhuan is the deformation of the big Yangko's "a set of frames". This is from the angle of character and styling. If we look at the specific dance style, we can still prove that Errenzhuan is a "split play" from the Northeast Yangko. " "three dances" is the most important art form of the traditional two-person dance. But "three dances" is not the creation of two-person dance, but the condensing and rising of the Northeast Yangge "love field", "teasing field" and "Yuanchang". However, the "love field", "teasing field" and "Yuanchang" of Northeast Yangko are derived from wild man dance "pleading", "cloud rain" and "closing up". The wild man dance is a Manchu "wild man" dance that lives in the wild.
【作者单位】：黑龙江大学信息管理学院;吉林师大文学院;
【基金】：吉林省社科项目《传统二人转表演形式研究》,项目编号:2014B146
【分类号】：J825

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