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呼和浩特地区二人台艺术现状调查与分析

发布时间:2018-04-24 17:50

  本文选题:呼和浩特地区二人台 + 现状调查 ; 参考:《内蒙古师范大学》2010年硕士论文


【摘要】: 二人台是我国北方地区优秀的地方剧种之一。从艺术形式上看,二人台的历史要比相邻剧种二人转悠久得多,音乐也比二人转丰富。近几年东北二人转成功地走出了东北,赢得了人们的喜爱,同样有着深厚民族底蕴的二人台却没能像二人转那样发展迅速。 本文就当今多元文化的大背景下,呼和浩特地区二人台的发展现状进行实地考察。以呼市民间歌舞剧团、内蒙古二人台艺术团、民间二人台剧团以及呼市艺校二人台班、内蒙古艺术学院二人台专业、内蒙古西部民间艺术学校等的现状调查为切入点,剖析二人台在呼市的历史流变过程中传承及发展现状。 全文由三个部分组成,首先概述了呼和浩特地区在乡村文化背景中原生形态的、城市文化背景中变迁形态的、休闲娱乐场所背景中大众形态的二人台艺术现存状况;其次实地调研现存两个专业剧团:呼和浩特市民间歌舞剧团、内蒙古二人台艺术团二人台剧目、音乐发展及传承现状;再次调研民间二人台艺术团的现状,分析其存在的必然性;对呼和浩特地区二人台艺术传承方式已转变为以教育机构为主的现状进行了调研。最后通过对二人台现代剧在继承、运用、融合传统小戏音乐方面的分析,肯定二人台在贴近生活、亲密观众、小型多样方面有着独特的优势,而大型戏对其在城市的发展及提高其艺术表现手法等方面起着重要的作用,说明二人台的传统没有丢失,传统仍是流淌在今天二人台艺术血液中的养分,其传承与发展是传统的,更是现代的。呼和浩特地区二人台与二人转一样有向全国发展的前景。
[Abstract]:The two-man station is one of the outstanding local operas in northern China. In terms of artistic form, the history of the two-man stage is much longer than that of the adjacent plays, and the music is also richer than the two-man rotation. In recent years, the Northeast Errenhuan has successfully walked out of the Northeast and won people's love, but the two-person station, which also has a profound national heritage, has not developed as rapidly as the Errenhuan. Under the background of multiculturalism, the present situation of Erren Station in Hohhot area is investigated in this paper. Starting with the investigation of the current situation of the folk singing and dancing troupe in Hucheng, the two people Taiwan Art Troupe of Inner Mongolia, the folk two-person Taiwan opera troupe, the two-person Taiwan class of the Hucheng Art School, the two-person Taiwan specialty of the Inner Mongolia Academy of Art, and the Western Inner Mongolia Folk Art School, etc. This paper analyzes the inheritance and development status of two-person station in the process of historical change in Huhou. The paper is composed of three parts. Firstly, it summarizes the existing situation of Errentai art in the rural culture background, the changing form in the urban cultural background and the popular form in the leisure and entertainment place background in Hohhot area. Secondly, field investigation of two existing professional theatrical troupes: Huhhot folk song and dance troupe, Inner Mongolia two-person Taiwan art troupe two-person Taiwan repertoire, music development and inheritance status; again investigate the current situation of folk two-person Taiwan art troupe. This paper analyzes the inevitability of its existence, and investigates the present situation that the style of artistic inheritance of Errentai in Hohhot area has been transformed into an educational institution. Finally, through the analysis of the inheritance, application and fusion of the traditional music of the modern drama, it is affirmed that the two-person stage has unique advantages in the aspects of being close to life, close to the audience, and small and diverse. However, the large-scale drama plays an important role in the development of the city and the improvement of its artistic expression techniques. It shows that the tradition of the two-person stage has not been lost, and that the tradition is still the nutrient flowing through the blood of the two-person stage art today. Its inheritance and development is traditional, but also modern. Hohhot area two-person station and the same as the two-person turn to the national development prospects.
【学位授予单位】:内蒙古师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J825

【参考文献】

相关期刊论文 前6条

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