继承、融合、创新——王祖皆、张卓娅的民族歌剧创作

发布时间：2018-04-25 05:02

本文选题：王祖皆 + 张卓娅　；参考：《音乐创作》2015年01期

【摘要】：王祖皆和张卓娅是中国当代著名的作曲家伉俪。他们共同创作了《芳草心》、《党的女儿》、《野火春风斗古域》、《永不消逝的电波》、《祝福》、《玉鸟"兵站"》等歌剧、音乐剧,数量之多、成功率之高、社会影响之大都是中国歌剧界屈指可数的,而其中《党的女儿》、《野火春风斗古城》和《永不消逝的电波》三部民族歌剧的成功,为探索新时期多元文化背景下中国民族歌剧的发展之路做出了重要的贡献,而他们从《党的女儿》开始提出并不断实践、丰富着的"继承、融合、创新"的民族歌剧创作观,为当代民族歌剧的创作和研究提供了宝贵的经验。他们始终坚持"心怀观众,,的创作观和"雅俗共赏"的审美观,坚持歌剧创作"要研究群众的审美变化,要尊重民族的欣赏习惯,要了解时代的审美特点",坚持歌剧创作社会效益和经济效益的统一,对中国歌剧的健康发展也有积极的借鉴价值。
[Abstract]:Wang Zujie and Zhang Zhuoya are famous composers and wives in contemporary China. Together, they created "the Heart of Fangcao", "the daughter of the Party", "Wild Fire and Spring Wind fighting the Ancient Land", "the Wave Wave that never dies", "Blessing", "Jade Bird" and other operas, musicals, the number of musicals, and the high success rate. Most of the social influences are rare in Chinese opera circles, and the success of the three national operas, "the daughter of the Party", "the Old City of the Wild Fire and the Spring Wind", and "the Radio Wave that never dies," is the success of the three national operas. In order to explore the way of development of Chinese national opera under the background of multi-culture in the new period, they have made important contributions, and they have put forward and practiced constantly from "daughter of the Party", which has enriched the "inheritance, fusion and innovation" of the national opera creation view. It provides valuable experience for the creation and research of contemporary national opera. They have always adhered to the aesthetic concept of "having an audience in mind and enjoying both elegance and common taste," and insisted that opera creation "should study the aesthetic changes of the masses and respect the appreciation habits of the nation." We should understand the aesthetic characteristics of the times, insist on the unity of social and economic benefits of opera creation, and have positive reference value for the healthy development of Chinese opera.
【作者单位】：解放军艺术学院音乐系;
【分类号】：J617.2

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