话剧的文化价值与演员精神的追求

发布时间：2018-04-28 03:17

本文选题：戏剧本质 + 话剧发展　；参考：《吉林艺术学院》2011年硕士论文

【摘要】：1907年,随着中国第一部话剧《黑奴吁天录》的上演,标志着我国的戏剧史上翻开了新的一页篇章。一百年间,中国话剧从无到有,从浅到深,从稚嫩走向成熟。在这期间,戏剧的模式,演出形式,舞台表现等技法被我国戏剧工作者一次又一次升华。本文从戏剧的本质出发,以舞台的表现形式,舞台技术等及方面,对初期话剧和现代话剧做出对比,而摸索其中一些相得益彰的精髓。除此之外,戏剧的本质与真实性,在话剧对事物本质的追求和创造过程中,起到了承上启下的作用。在现实主义文艺思潮的涌浪下,戏剧中的话剧,在本着质朴,纯真的同时,还更应该接受新思潮的影响,不断创新,更加开放,多样化,在百花争鸣的文化发展中,独占鳌头。
[Abstract]:In 1907, with the performance of the first Chinese drama, the annals of the Black Slave, marked a new chapter in the history of Chinese drama. A hundred years, Chinese drama from scratch, from shallow to deep, from immature to mature. During this period, the drama mode, performance form, stage performance and other techniques were sublimated again and again by Chinese drama workers. From the point of view of the essence of drama, this paper compares the early stage drama with the modern drama in the form of stage, stage technology and so on, and tries to find out the essence of some of them that complement each other. In addition, the essence and authenticity of drama play an important role in the pursuit and creation of the essence of things. Under the surge of realistic literary and artistic trends, drama in drama, while in the spirit of simplicity, innocence, but also more should accept the influence of new trends of thought, innovation, more open, more diversified, in the development of a hundred flowers contending culture, take the lead.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J824

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