扶余八角鼓的发展历程

发布时间：2018-04-28 09:46

本文选题：扶余八角鼓 + 满族新城戏　；参考：《东北师范大学》2014年硕士论文

【摘要】：八角鼓是一种满族说唱艺术,属于一种地域性曲艺曲种,因其主唱者常常手持击节乐器八角鼓而得名。据记载,八角鼓艺术是在清中叶由北京传入吉林省中西部扶余一带的,与本地民间小调,萨满调等相融合,逐渐形成了独特的满族与汉族共有的民间说唱艺术,此后在当地艺人们的不断改善下,吸收了当地大量的具有特色的多种民间艺术,在当地方言和语调的影响下,渐渐的形成了受当地人们喜爱的艺术形式—“扶余八角鼓”。作为吉林省的艺术瑰宝的满族新城戏的母体实际就是扶余八角鼓。扶余八角鼓是对明清曲牌、曲谱、八角鼓唱词、唱腔强有力证明,它代表着东北满族的民间曲艺的。通过调查、分析,概述了扶余八角鼓的生存环境,发展状况,重点从扶余八角鼓的曲调本身出发来阐述扶余八角鼓的艺术特色。在八角鼓的发展历程中我们进一步研究了扶余八角鼓的社会功能及价值：娱乐大众、教育大众、历史、文化传承的载体、重要的传播民间信仰方式以及其它认识价值、社会价值和审美价值。目前,研究扶余八角鼓的生存环境,可提出具体的保护、发展方略：使政府职能部门对此重视、注重人才培养、保护该艺术的传承人、走艺术品牌之路、把它当作经济资源来保护。同时,扶余八角鼓的提出以及后来演变成的满族新城戏,能使它走出目前困境的方法就是要吸收并借鉴其它艺术种类之特色和优点,跟进时代潮流,只有这样,才能使它在真正意义上受到保护、传承、发展。
[Abstract]:Octagonal drum is a Manchu rap art, belonging to a regional music species, because its lead singer often holds the festival instrument octagonal drum name. According to records, the art of octagonal drums was introduced from Beijing to Fuyu in the central and western parts of Jilin Province in the middle of the Qing Dynasty. It merged with the local folk minor and shaman tune, and gradually formed a unique folk rap art shared by the Manchu and the Han nationality. Since then, with the continuous improvement of the local artists, absorbed a large number of local folk art with characteristics, in the local dialect and tone of the influence, gradually formed by the local people favorite art form-"Fuyu octagonal drum." As the art treasure of Jilin Province, the mother of Manchu New Town Opera is actually Fuyu octagonal Drum. Fuyu octagonal drum is a strong proof of the folk music of Manchu nationality in the Ming and Qing dynasties. Through investigation and analysis, this paper summarizes the living environment and development of Fuyu octagonal drum, and expounds the artistic characteristics of Fuyu octagonal drum from the point of view of the tune of Fuyu octagonal drum itself. In the course of the development of anise drum, we further study the social function and value of Fuyu octagonal drum: entertainment, education, historical and cultural transmission, important ways of spreading folk beliefs and other cognitive values. Social value and aesthetic value. At present, to study the living environment of Fuyu octagonal drum, we can put forward specific protection and development strategy: to make government functional departments attach importance to this, pay attention to the cultivation of talents, protect the inheritors of this art, and take the road of art brand. Protect it as an economic resource. At the same time, the proposal of Fuyu octagonal Drum and the Manchu New Town Opera, which later evolved, can make it out of its current predicament by absorbing and drawing lessons from the characteristics and advantages of other kinds of art and following the trend of the times, only like this. In order to make it in the true sense of protection, inheritance, development.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J826

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