中国戏剧的困境与突破

发布时间：2018-04-28 21:12

  本文选题：人外 + 外部环境　； 参考：《当代戏剧》2017年02期

【摘要】：正近年来,北京、上海及各重要城市戏剧演出日渐活跃,每年全国都有大量剧目上演,各类艺术节、戏剧节和戏剧展演不断,各种宣传铺天盖地,看上去红红火火相当热闹。但总体来看,剧目数量很大,质量却参差不齐,差戏烂戏不少,佳作力作屈指可数,震撼人心之作鲜见。繁荣,只是表相;困境,才是真相。这些年一路走来,我最深切的体会是:当下戏剧正在困境之中,问题多多,亟待突破。戏剧人外困于环境,内困于自身。戏剧在重重困扰之中若要取得整体
[Abstract]:In recent years, theatrical performances in Beijing, Shanghai and other major cities have become increasingly active. Every year, a large number of plays are staged throughout the country, various art festivals, theatrical festivals and theatrical performances continue to be displayed, and various kinds of publicity are all over the place. But generally speaking, the number of plays is very large, the quality is uneven, the bad plays are many, the best works are few and few. Prosperity is only superficial; adversity is the truth. All along these years, my deepest experience is that the present drama is in a difficult situation, many problems, urgent need to break through. Drama people are trapped in the environment and in themselves. In the midst of all the troubles, if you want to be a whole,
【分类号】：J892
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本文编号：1816890