当前位置:主页 > 文艺论文 > 戏剧论文 >

创作:话剧《五月的雨香阁》论文:话剧《五月的雨香阁》作品阐释

发布时间:2018-04-30 21:31

  本文选题:话剧 + 独幕 ; 参考:《南京大学》2012年硕士论文


【摘要】:故事梗概:该剧一部独幕剧,写一列火车上不同年龄段的四对夫妻的爱情故事。刘砚和琬晴,是贯穿全剧的中心人物。话剧开始,刘砚和琬晴,戴着太阳镜镜,坐在窗边欣赏外面的雨景。一对青年白领夫妇坐在他们的旁边,通过舞台灯光的变化,白领夫妇成为舞台的主角,这是他们的第五十次旅行,大概也是最后一次。以前旅行的一百张车票,记录了他们从大学到结婚的欢乐时光。女人不能原谅丈夫的出轨,虽然悲伤,但还是坚定地拒绝丈夫的挽留,独自一个人下车。 琬晴总是害怕有旅客坐在她的旁边,中年妈妈带着儿子去接孩子的爸爸,这位爸爸刚从监狱出来。为了维护爸爸在儿子心中的形象,妈妈一直告诉儿子,爸爸是因为工作忙才不能回来的。老年夫妻是一对欢喜冤家,生活了一辈子,斗嘴是调节生活的乐趣。话剧最后,琬晴和刘砚是一对夫妻,在儿时他们一次去雨香阁听雨时,从山上滑下来,琬晴的眼睛瞎了,搬到陌生的城市。长大后的刘砚要把琬晴接回雨香阁来,刘砚带着琬晴,一起看世界。 作品阐释:从故事脉络、戏剧技巧运用、人物形象分析、理念表达等方面对创作做出说明,指出文中存在的不足。
[Abstract]:Synopsis: a one-act play about the love stories of four couples of different ages on a train. Liu Yan and Wan Qing, is throughout the central character of the play. At the beginning of the play, Liu Yan and Wan Wan, wearing sunglasses, sat by the window to enjoy the rain outside. A young white-collar couple sat next to them, and through the change of stage lights, white-collar couples became the protagonists of the stage. This was their fiftieth and probably the last trip. The 100 tickets they used to travel recorded their happy times from college to marriage. The woman could not forgive her husband's infidelity. Although she was sad, she firmly refused her husband's stay and got out of the car alone. Wan Qing is always afraid of passengers sitting next to her, the middle-aged mother with her son to pick up the father, the father has just come out of prison. In order to protect the father's image in the son's heart, the mother has always told him that he can't come back because of his busy work. Old man and wife are a pair of happy friends, live a lifetime, quarrelling is to regulate the fun of life. At the end of the play, Wan Wan and Liu Yan were a couple. When they were children, they went to the Yuxiang Pavilion to listen to the rain, slid down from the mountain, Wan Qing's eyes blind, moved to the strange city. After growing up, Liu Yan wants to get Wan Qing back to Yuxiang Pavilion, Liu Yan with Wan Qing, looking at the world together. Interpretation: from the story context, the use of drama skills, character image analysis, the concept of expression and other aspects to explain the creation, pointing out the shortcomings of the text.
【学位授予单位】:南京大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J824

【共引文献】

相关期刊论文 前10条

1 尹德胜;;剧作中的人物性格和戏剧情境[J];安徽文学(下半月);2009年05期

2 邹荣学;;取道性格,师法自然——黄梅戏《徽州女人》高潮戏中的戏剧技巧[J];安庆师范学院学报(社会科学版);2011年12期

3 翁瑜;;从《禁闭》看萨特“境遇剧”的哲学意蕴[J];安顺学院学报;2010年03期

4 周萍萍;;浅谈语言在广播剧中的重要性[J];今传媒;2012年06期

5 魏饴;集体性 多度性 傻子性——戏剧鉴赏的美学特征研究漫笔[J];常德师范学院学报(社会科学版);2000年03期

6 张斌;;电视剧艺术特性论[J];重庆邮电大学学报(社会科学版);2010年04期

7 殷贝;;封闭的结构与开放性主题[J];重庆职业技术学院学报;2008年05期

8 袁立庠;;基于传播学视域下对电视真人秀节目的思考[J];产业与科技论坛;2011年04期

9 刘勇;;中国古代果报小说的叙事分析[J];创作评谭;2004年06期

10 张国涛;;对三种电视剧艺术本体观的梳理[J];当代电视;2009年11期

相关博士学位论文 前10条

1 贺彩虹;笑的解码[D];山东师范大学;2011年

2 余礼凤;雅俗之间:徐,

本文编号:1826336


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/1826336.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户5de0a***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com