解读普契尼歌剧《图兰朵》中的“中国元素”

发布时间：2018-05-01 23:07

本文选题：普契尼 + 《图兰朵》　；参考：《西南交通大学》2010年硕士论文

【摘要】： 《图兰朵》是浪漫主义时期伟大的意大利作曲家普契尼的最后一部歌剧,是一部有很大争议的歌剧,也是最为中国人所熟知的歌剧。2008年是普契尼诞辰的150周年,这一年3月中旬在我国国家大剧院上演的《图兰朵》由我们中国作曲家重新为这部杰作创作的末段音乐,引起了很大反响。与此同时2009年10月张艺谋执导的《图兰朵》在鸟巢的成功演出,更加成为人们热议的话题。为何《图兰朵》能够长演而经久不衰.,这更进一步吸引了人们想要探究的兴趣和动力。本文正是在这样的背景下产生的研究成果。本文除结语外共分七个部分：第一部分主要探讨了问题提出的缘由,梳理和分析了国内外的相关研究文献,并在此基础上讨论了本研究的理论和实践价值。第二部分简单介绍了歌剧《图兰朵》的剧情及其创作者。第三部分介绍了歌剧《图兰朵》的创作背景与取材。第四部分对歌剧《图兰朵》音乐中的“中国因素”进行了系统分析包括《图兰朵》中的音乐来源,《图兰朵》剧中全部或部分引用的中国曲调和旋律,普契尼自己创作的一些具有五声音阶特征的旋律等。第五部分对歌剧《图兰朵》的续写进行详细的分析,其中包括两位国外的作曲家阿尔法诺的续写和贝利奥的续写,还有中国作曲家郝维亚为《图兰朵》所做的续。第六部分具体分析了2008——2009年由中国人制作的《图兰朵》是如何体现剧中的“中国元素”,其中包括中国歌唱家的诠释,国家大剧院和鸟巢的导演以及舞美设计是如何精彩呈现“中国元素”的。第七部分梳理和探讨了具有“中国元素”的《图兰朵》在中国上演的意义。
[Abstract]:"Turandot" is the last opera of Puccini, the great Italian composer of the Romantic period. It is a highly controversial opera and one most familiar to the Chinese. 2008 is the 150th anniversary of Puccini's birth. Turandot, which was staged in the National Theatre of China in the middle of March of this year, was recomposed by our Chinese composers for the last period of this masterpiece, which caused a great reaction. Meanwhile, the successful performance of Zhang Yimou's Turandot at the Bird's Nest in October 2009 has become a hot topic. Why Turandot can last for a long time, which further attracts the interest and motivation that people want to explore. This paper is under such a background to produce research results. In addition to the conclusion, this paper is divided into seven parts: The first part mainly discusses the cause of the problem, combs and analyzes the domestic and foreign related research literature, and discusses the theoretical and practical value of this study. The second part briefly introduces the plot of opera Turandot and its creator. The third part introduces the background and material of opera Turandot. The fourth part makes a systematic analysis of the "Chinese factors" in opera "Turandot" music, including the source of music in "Turandot", the Chinese tunes and melodies quoted in "Turandot". Puccini's own creation of some melodies with pentatonic scale characteristics and so on. The fifth part analyzes the continuation of opera Turandot in detail, including the sequel of two foreign composers, Alfano and Berio, and the continuation of Turandot by the Chinese composer. The sixth part analyzes how Turandot, produced by Chinese people from 2008 to 2009, embodies the "Chinese elements", including the interpretation of Chinese singers. How the National Grand Theater and Bird's Nest's director and dance design presented "Chinese elements". The seventh part combs and discusses the significance of Turandot with Chinese elements.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J832

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