探析歌剧《费加罗的婚礼》选段《哪里去了，美好的时光》中伯爵夫人的音乐形象与作品演唱技巧

发布时间：2018-05-03 11:09

本文选题：费加罗的婚礼 + 伯爵夫人　；参考：《上海师范大学》2017年硕士论文

【摘要】：众所周知,沃尔夫冈·阿玛德乌斯·莫扎特是欧洲古典主义时期一名伟大的作曲家,其创作领域之集大成者则是歌剧。在莫扎特所创作的诸多歌剧作品中,最能体现他创作技巧并成就斐然的是他的三部喜歌剧;其中,《费加罗的婚礼“Lenozze di Figaro”》更是以其幽默生动、机智诙谐的风格尤为受到各个年代不同社会阶层观众的喜爱。作为伯爵“寻花问柳”放浪行径的受害者之一——伯爵夫人罗西娜的著名唱段和音乐形象,更是足以与光彩照人的主角小女仆苏珊娜彼此衬托、相得益彰。在伯爵夫人数个著名唱段中,要数《哪里去了,美好的时光Dove sono i bei momente》一曲,最能体现其性格特征与角色特点。整部《费加罗的婚礼》看似荒诞搞笑,充斥着色彩强烈的反讽与嘲弄感,却唯独有个形同正歌剧形象的伯爵夫人,她的情绪基调似乎与整部歌剧稍显不符。通过进一步分析伯爵夫人在这一唱段中所表现出的音乐形象,以及其情绪和心理在该作品中的表现与变化,分析该段区别于伯爵夫人在剧中的其它唱段《求爱神给我安慰》和《待到微风轻轻吹过》的独有特色;并结合谢丽尔·斯都德(Cheryl Studer)与伊丽莎白·施瓦茨科普夫(Elizabeth Schwarzkopf)两位顶级女高音歌唱家对该作品不同的演绎,从艺术处理、歌唱技巧的角度分别剖析该作品宣叙调与咏叹调部分的演唱要点,以期对认识作品、同时能更贴切、更完整地将作品演绎好起到积极的作用。
[Abstract]:Wolfgang Amadeus Mozart is a great composer during the European classicism. Among Mozart's many operas, his creative skills and achievements are best reflected in his three happy operas. Among them, Figaro's wedding, "Lenozze di Figaro", is even more humorous. Witty style is especially popular with audiences of different social classes in all ages. As one of the victims of countess Rosina, the famous choir and musical image of Countess Rosina are enough to complement each other with Suzanne, the glamorous little maid of the protagonist. Of the several famous chants of the countess, the best time is Dove sono I bei momente, which best reflects her character and character. The whole "Figaro's Wedding" seems absurd and hilarious, full of intense irony and ridicule, but with the only countess in the same shape as a regular opera, her emotional tone seems to be slightly out of step with the whole opera. Through further analysis of the musical image displayed by the countess in this choir, as well as the expression and change of her emotions and psychology in the work, This paragraph is distinguished from the unique features of the Countess's other verses, "comfort me from God of Love" and "to the gentle breeze"; And combining the different interpretations of Cheryl Studeryl and Elizabeth Schwartzkopf Schwarzkopf, two of the top soprano singers, from artistic processing, From the angle of singing skills, the author analyzes the main points of the singing of the narration and aria parts of the work respectively, in the hope that it can play a positive role in the understanding of the works and in the interpretation of the works more appropriately and completely at the same time.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

【参考文献】