物的人化与人的物化——当代舞台美术的表演

发布时间：2018-05-05 23:00

  本文选题：物体表演 + 雅典奥运会开幕式　； 参考：《戏剧艺术》2016年06期

【摘要】：在当代演出艺术的舞台上,有一些大规模、大尺度的物体表演。这种表演的物体与历史上的壮观布景的差异在于:其要点不在于表现诸如山崩地裂或洪水泛滥的自然景观,而是在于对人类精神世界的揭示。物的人化、人的物化显示了当代物体表演的前景。自古以来,诗以物喻人,而当代舞台美术对于人的物化,却可以直接地用包裹、投影、雕凿、塑形、机械等傀儡化或物化手段把短暂的人与永恒的物直接融为诗化的整体,并为物体注入人的灵魂,从而使演出的精神世界得到最大限度的张扬。
[Abstract]:On the stage of contemporary performing art, there are some large-scale object performances. The object of this kind of performance differs from the spectacular scenery of history in that its main point is not to express the natural landscape such as landslide or flood, but to reveal the spiritual world of human beings. The humanization of things, the materialization of human beings shows the prospect of contemporary performance of objects. Since ancient times, poetry has represented man with things, but the materialization of human beings by contemporary stage art can be directly combined into a poetic whole by means of wrapping, projecting, carving, shaping, forming, mechanical and other means of puppetry or materialization. And to inject the object into the soul, so that the spirit of the performance world to maximize publicity.
【作者单位】： 中央戏剧学院舞台美术系;
【分类号】：J813
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本文编号：1849651