杂技的形而上与形而下交会

发布时间：2018-05-09 11:20

本文选题：形而下 + 物质方面　；参考：《杂技与魔术》2016年05期

【摘要】：正杂技,从本质来说是一种"俗"的艺术,但并不妨碍我们把它放在哲学维度去考量。形而上:杂技的艺术精神《易经·系辞上》有云:"形而上者谓之道,形而下者谓之器"。形而上,即无形的或未成形体的东西;形而下,即有形的看得见的具体存在。通俗理解:前者是事物的规律和意义,属于精神方面的宏观范畴;后者是事物的存在形式,属于物质方面的微观范畴。杂技作为一种传统表演艺术,历经三千多年的风雨,从单一走向综合,从简陋走向繁复,在世事沧桑的流变中熔铸
[Abstract]:Positive acrobatics, by its nature, is an art of vulgarity, but it does not prevent us from considering it from a philosophical perspective. Metaphysical: the artistic spirit of acrobatics "the Book of changes" has a cloud: "the metaphysical is the Tao, and the lower is the weapon." Metaphysics, that is, something invisible or unformed; a tangible, tangible, concrete existence. Popular understanding: the former is the law and significance of things, belongs to the spiritual macro category; the latter is the form of existence of things, belongs to the microscopic category of matter. Acrobatics as a traditional performing art, after more than 3,000 years of wind and rain, from a single to comprehensive, from simple to complex, in the vicissitudes of life in the evolution of casting
【作者单位】：武汉市艺术创作研究中心;
【分类号】：J828

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