斯特拉文斯基歌剧《浪子的历程》的作曲技法及音乐风格研究

发布时间：2018-05-12 02:16

本文选题：斯特拉文斯基 + 《浪子的历程》　；参考：《上海师范大学》2017年硕士论文

【摘要】：斯特拉文斯基是西方二十世纪音乐中最具代表性人物之一,他的音乐创作在二十世纪音乐史中占据极其重要的地位。他一生创作风格多变,先后经历了俄罗斯风格,新古典主义风格和序列主义风格。本文以歌剧《浪子的历程》为研究对象,该作品创作于作曲家一生中历时最长的新古典主义时期,也是该时期的最后一部作品。在这部作品中,斯特拉文斯基以清晰的音乐语言展现了他新古典时期客观而又理性的创作特点以及多变又统一的创作风格。本文从技术层面入手,进一步探究了作曲家严谨的创作风格和极具个性化的音乐语言。本文正文分为五章:第一章在对现有文献梳理的基础上,对斯特拉文斯基的生平及其歌剧创作情况进行概述,并对《浪子的历程》的创作背景及乐队编制方面进行论述;第二章主要对歌剧的脚本进行分析;第三章是对歌剧的宏观分析,从整体结构和体裁的戏剧功能两个方面分别论述;第四章从作曲技术层面入手,共四节,分别对歌剧的主要动机、节奏节拍、和声及音色音响方面的特点进行了微观分析;第五章在对前几章研究总结的基础上,对歌剧中体现的新古典主义风格和美学思想进行归纳。
[Abstract]:Stravinsky is one of the most representative figures in western music in the 20th century. His music creation occupies an extremely important position in the music history of the 20th century. He has experienced Russian style, Neoclassicism style and serialism style in his life. This paper focuses on the opera "the course of the Prodigal son", which was written in the period of Neo-classicism, which is the longest in the life of the composer, and is also the last work of that period. In this work, Stravinsky shows his objective and rational creative characteristics and his changeable and unified writing style in clear musical language. From the technical level, this paper further explores the composer's rigorous creative style and highly individualized music language. The text of this paper is divided into five chapters: the first chapter summarizes Stravinsky's life and his opera creation on the basis of combing the existing literature, and discusses the background of the creation of "the course of the prodigal son" and the composition of the band; The second chapter mainly analyzes the script of the opera; the third chapter is the macro analysis of the opera, from the overall structure and genre drama function, respectively; the fourth chapter from the composition of the technical level, a total of four sections, The main motivation, rhythm, harmony and tone and sound characteristics of the opera were analyzed microscopically. Chapter five summarized the neo-classical style and aesthetic thought embodied in the opera on the basis of the research and summary of the previous chapters.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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