柳子戏表演艺术研究
发布时间:2018-05-16 05:16
本文选题:柳子戏 + 审美特色 ; 参考:《山东师范大学》2010年硕士论文
【摘要】: 柳子戏是山东地方戏的代表,简称“东柳”,曾经与“南昆、北弋、西梆”活跃于中国古典戏曲舞台之上,并盛极一时,文化底蕴深厚、影响深远、意义悠远,具有很高的历史价值、文化价值和审美价值。山东柳子戏,作为具有浓厚地方特色的地方戏剧种,在我国戏剧发展史上有着很重要的地位,但由于种种原因,导致柳子戏不及其他三种声腔那样名闻南北。对于柳子戏的理论研究,尤其是柳子戏的表演理论的研究明显地相对薄弱,对于柳子戏表演艺术尚没有形成系统的研究,本文使用理论联系实际的研究方法,运用新的研究视角,深入实际调查研究柳子戏表演艺术。从美学的高度俯视柳子戏表演艺术,并结合具体的柳子戏经典剧目,分析研究柳子戏表演艺术的发展历程、审美特色、审美价值和发展前景等,争取为柳子戏表演理论研究上做出一份贡献,开辟一片新天地。 具体来说,本文分别从四个方面论述柳子戏的表演艺术。一、主要缕析柳子戏的孕育与产生、兴起与成熟、新生与发展,从历史的角度,大体描述出柳子戏的发展历程;二、以柳子戏的一些经典剧目为基础,结合戏曲美学基本原理,具体分析研究柳子戏在表演艺术上体现出来的四个方面的审美特色:粗朴、豪放、夸张和虚实相生、形神皆备、以假寓真的审美特色。三、具体分析柳子戏表演艺术的审美价值,柳子戏的表演成功地塑造了独特鲜明的人物形象,叙述了生动感人的故事情节,形成了柳子戏人物形象美、舞台意境美和整体和谐美的审美价值;同时,本章还从审美心理学的视角来分析柳子戏的表演艺术给戏曲欣赏者带来的审美体验,在欣赏戏曲的过程中,观众在精神上满足了心理的愉悦,从而使观众心中的情感获得宣泄,最终达到情绪的平和、精神的满足和心灵的慰藉,最后观众在潜移默化之中获得了审美的快感。四、分析柳子戏现今的生存状况和前景展望。现今柳子戏的存在和发展却不容乐观,和其他地方戏一样处在专家充分肯定和观众消费冷落的两难境地。面对柳子戏目前的生存环境,文章提出了应该传承和保护柳子戏表演艺术,并针对目前柳子戏在发展上遇到的难题,具体提出了相对的应对措施和策略。 本文的创新点在于,从美学的角度上对柳子戏表演艺术进行研究,具体分析柳子戏表演艺术的审美特色和审美价值,填补柳子戏在表演理论上的不足。对于柳子戏表演艺术的研究有助于弘扬柳子戏文化以及山东特色文化,有助于推动柳子戏理论的继承与发展。因此柳子戏表演艺术的研究对中国戏曲表演体系的研究也有不可或缺的价值和意义。
[Abstract]:Liu Zi opera is the representative of Shandong local opera, called "East Willow", which has been active on the stage of Chinese classical opera with "Nankun, Bei Yi and Xi Bang". It has a profound cultural background, far-reaching influence and long meaning. It has a high historical value, cultural value and aesthetic value. The Shandong willow opera has a strong local characteristic. The local opera plays a very important position in the history of the development of China's drama. However, because of various reasons, Liu Zi opera is not as famous as the other three kinds of voice. The theoretical research on Liu Zi opera, especially the study of Liu Zi opera's performance theory, is obviously relatively weak, and there is no systematic research on the performance art of Liu Zi opera. In this paper, the author uses a new research method to study the performance art of Liu Zi opera with a new angle of view. The art of performance of Liu Zi opera is overlooked from the aesthetic point of view. The development process, aesthetic characteristics, aesthetic value and development prospect of Liu Zi opera are analyzed and studied in combination with the specific classical plays of Liu Zi opera. Striving for a contribution to the study of Liu Zi's performance theory and opening up a new world.
Specifically, this article discusses the performing arts of Liu Zi opera from four aspects. First, it mainly analyzes the birth and production of Liu Zi opera, the rise and maturity, the new life and the development. From the historical point of view, it describes the development course of Liu Zi opera; the two, based on some classic plays of Liu Zi opera, combined with the basic principles of opera aesthetics, the concrete analysis and research are made. The aesthetic features of Liu Zi opera in the performing arts are four aspects: rough simplicity, bold and unrestrained, exaggerated and false and real life, the form and the spirit are all prepared, and the true aesthetic features are put on false. Three, the specific analysis of the aesthetic value of the performance art of Liu Zi opera. The performance of Liu Zi opera successfully portrays the unique and vivid figures and narrates the vivid and moving stories. The plot has formed the aesthetic value of the beauty of the characters in Liu Zi opera, the beauty of stage artistic conception and the harmonious beauty of the whole. At the same time, this chapter also analyzes the aesthetic experience brought by the performing art of Liu Zi opera to the appreciators of the opera from the perspective of aesthetic psychology. In the process of appreciation of the opera, the audience can satisfy the psychological pleasure in the spirit of the audience, thus making the audience mind the audience. The emotion is vented, finally reach the level of emotion, spiritual satisfaction and spiritual comfort, and finally the audience gets the aesthetic pleasure. Four, analyze the existence and Prospect of Liu Zi opera today. The existence and development of Liu Zi opera is not optimistic, as well as other local operas, it is fully affirmed by the experts and the other local operas. In the face of the current living environment of Liu Zi opera, the article proposes to inherit and protect the performance art of Liu Zi opera, and puts forward relative countermeasures and strategies in view of the problems encountered in the development of Liu Zi opera.
The innovation point of this article is to study the performance art of Liu Zi opera from the aesthetic point of view, to analyze the aesthetic characteristics and aesthetic value of Liu Zi opera, and to fill the deficiency of the performance theory of Liu Zi opera. The study of Liu Zi opera's performing art will help to carry forward the culture of Liu Zi opera and the culture of Shandong, and help to promote the willow. The study of the performing arts of Liu Zi opera also has an indispensable value and significance for the study of Chinese opera performance system.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J825
【引证文献】
相关期刊论文 前1条
1 黄共新;徐斌;张金青;;《园治》对中国园林设计的影响[J];北京农业;2011年30期
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