论中国传统“鬼戏”在现当代的继承和发展

发布时间：2018-05-19 09:48

本文选题：鬼戏 + 鬼魂形象　；参考：《四川外语学院》2012年硕士论文

【摘要】：本文在前人研究的基础上，力图在中国现当代鬼戏的表演和舞美方面进行更为深入的研究，尤其是在其舞台呈现时所受到“鬼”文化的影响。具体说来，主要探讨以下三个问题，中国现当代“鬼戏”的发展过程和基本特征及其研究现状究竟如何；中国现当代鬼戏在舞台实践方面，尤其是舞美形态上的变化的原因和意义是什么；以及对中国当前“鬼戏”发展的前瞻。研究方法上主要通过具体实例的比照论证，同时从前人关于中国鬼戏原型意象的研究，鬼魂脚色的变迁、动作、装扮研究中寻找相关信息予以佐证及充实。第一章从“鬼戏”的内涵和审美定位的讨论入手，通过不同地域文化之间的对比，认清“鬼戏”这样一个独具中国文化特色的概念和内涵。同时对中国20世纪以来的“鬼戏”研究历史进行大致梳理，揭示中国现当代“鬼戏”的研究现状。第二章通过中国现当代“鬼戏”发展过程的回溯、中国传统“鬼戏”在现当代的变化发展的现象和中国现当代“鬼戏”的基本特征的提炼，看到随着历史的前进鬼魂功能也在发生着变化，而蜕变之后的鬼魂形象在20世纪开始走向主流，，拥有了新的活力。第三章回到“鬼戏”作为一种舞台艺术的实践上来，通过古代与现当代鬼魂形象的服装、配饰以及道具的变化的对比来探讨中国现当代“鬼戏”鬼魂形象在舞台上的装扮演变的成因。第四章则从整个世界戏剧范围的广角镜头中试图一窥中国“鬼戏”的未来。
[Abstract]:On the basis of previous studies, this paper tries to conduct a more in-depth study on the performance and dance beauty of modern and contemporary ghost drama in China, especially the influence of "ghost" culture on its stage presentation. Specifically, it mainly discusses the following three issues: what are the development process, basic characteristics and research status quo of the modern and contemporary "ghost drama" in China; the stage practice of the modern and contemporary ghost drama in China, In particular, what is the reason and significance of the changes in the form of dance beauty, and the prospect of the development of China's "ghost play". The research method is mainly through the comparison and demonstration of concrete examples, and at the same time, from the previous research on the prototype image of Chinese ghost drama, the change of ghost character, movement, costume research to find the relevant information to be corroborated and enriched. The first chapter begins with the discussion of the connotation and aesthetic orientation of "ghost drama", and through the comparison between different regional cultures, recognizes the concept and connotation of "ghost drama" which has unique Chinese cultural characteristics. At the same time, the research history of "ghost play" since the 20th century in China is roughly combed, revealing the present situation of the study of "ghost drama" in modern China. In the second chapter, through the retrospect of the development process of Chinese modern "ghost drama", the phenomenon of the change and development of the Chinese traditional "ghost play" in modern and contemporary times and the extraction of the basic characteristics of the "ghost play" of modern and contemporary China. With the development of history, the function of ghosts is also changing, and the image of ghosts after transformation began to go to the mainstream in the 20th century, with new vitality. The third chapter goes back to the practice of "ghost play" as a stage art, through the costume of ancient and contemporary ghost images. By comparing the changes of accessories and props, this paper probes into the causes of the evolution of the ghost image on the stage in modern and contemporary Chinese "ghost drama". The fourth chapter tries to see the future of Chinese ghost drama from the wide-angle scenes of the whole world drama.
【学位授予单位】：四川外语学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J805

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