河北昆弋腔之今存

发布时间：2018-05-20 21:43

本文选题：昆弋腔 + 高潮阶段　；参考：《人民音乐》2014年11期

【摘要】：正中国的戏曲艺术,先后经历了先秦乐舞与俳优的滥觞期,隋唐"参军戏"、"踏摇娘"等歌舞戏的雏形期,至宋杂剧、金院本的出现,标志着戏曲艺术的正式形成。此后,又经历了元杂剧、明传奇及清代梆子、皮黄、地方小戏几个高潮阶段。中国戏曲的艺术长河奔流至今,受到了现代文明的强大冲击。在这种冲击下,有的剧种仍在显示着传统艺术那顽强的生命力;而另一些剧种只在个别剧团由国家供养而存活,在民间则进入了它的消亡阶段。曾经盛行于河北省的弋阳腔和昆山腔,就属于这种情况。
[Abstract]:The traditional Chinese opera art has experienced the origin of the music and dance of the pre-Qin Dynasty and the superior performance successively, the rudimentary stage of the song and dance operas of Sui and Tang dynasties, such as "joining the Army", "Ta-yao Niang", and so on, to the appearance of the Song Dynasty drama and the Jin Yuan's edition, which marks the formal formation of the opera art. Since then, has experienced the Yuan zaju, Ming legend and Qing Dynasty Bangzi, Pei Huang, local drama several climax stages. The art of Chinese opera has been greatly impacted by modern civilization. Under this kind of impact, some plays are still showing the tenacious vitality of traditional art, while others only survive in individual theatrical troupes supported by the state, and enter the stage of dying out in the folk. This is true of the Yiyang and Kunshan tunes that once prevailed in Hebei Province.
【作者单位】：河北大学艺术学院音乐系;
【分类号】：J809.2

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