对京剧表演对象化思维的反思

发布时间：2018-05-21 00:46

  本文选题：京剧表演 + 对象化思维　； 参考：《戏剧艺术》2016年04期

【摘要】：中国传统戏曲艺术百年来强烈地受到西方话剧思维观念的深刻影响,以致至今早已成为学界和演艺界习焉不察的思维惯性。这里应当加以辩难的问题是:是对象化思维,还是非对象化思维;是个性化思维还是类型化思维;是诉之于"真"的体验,还是诉之于"美"的生知;是以歌舞演故事,还是以故事梗概为媒介显现歌舞;是"是"(什么),还是"怎是"。
[Abstract]:The Chinese traditional opera art has been strongly influenced by the western modern drama thinking concept in the past hundred years, so it has already become the thinking inertia of the academic circles and the performing arts circles. The questions that should be debated here are: objectified thinking or non-objectified thinking; individualized or typed thinking; the experience of telling "truth"; or the knowledge of "beauty"; and the story of singing and dancing. Or is it "what is it," or "how"?
【作者单位】： 武汉大学哲学学院;
【分类号】：J821
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本文编号：1917005