论演员把握角色基调

发布时间：2018-05-27 15:30

本文选题：角色基调 + 角色性格　；参考：《南京艺术学院》2010年硕士论文

【摘要】： 演戏必在演人,演人必在演人的性格。演员最终的任务是:在舞台或荧幕上去塑造各色各样具有鲜明、独特性格魅力的人物形象。若要达到这样的要求,就必须要做到从理解剧本,分析人物入手,准确的捕捉和把握剧中人物的性格基调,使演员的创作沿着正确的方向前进。演员如何准确把握角色基调,是创作整个过程中的重点,也是本文要论述的重点。本文所谈到的角色性格与基调,最终目的是演员如何通过个人身心为创作工具,在舞台或荧幕上体现角色性格,从而完成演员最终的创作任务。
[Abstract]:The actor must be the actor, and the actor must be the character. The final task of an actor is to create a distinctive and unique character on stage or on screen. In order to achieve such a requirement, we must understand the script, analyze the characters, accurately capture and grasp the character tone of the characters in the play, and make the actors' creation advance along the right direction. How the actors accurately grasp the tone of the role is the focus of the whole process of creation, and also the focus of this paper. The ultimate purpose of the character and tone discussed in this paper is how to reflect the character on the stage or on screen through the personal body and mind as the creative tool, so as to complete the final creative task of the actor.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J812

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