从对音乐剧《歌剧魅影》中克丽丝汀的唱段与角色表演分析看音乐剧表演

发布时间：2018-05-27 18:31

本文选题：《歌剧魅影》 + 音乐剧　；参考：《河北师范大学》2011年硕士论文

【摘要】：随着我国经济的健康快速发展,人民群众对文化娱乐的需求也呈现出多元化的趋势,音乐剧这种新的艺术形式很快以其视听兼备、雅俗共赏的特质吸引了一批固定的并且正在不断扩大的受众。但是因为中国音乐剧起步比较晚,还远远不够成熟,而中国的音乐剧市场却被西方音乐剧长期站领。于是,创作优秀的中国本土音乐剧,培养优秀的中国本土音乐剧演员对于打造我们自己的音乐剧品牌来说势在必行。经典音乐剧《歌剧魅影》以其独特的魅力而在音乐剧的历史舞台上占有显赫地位,其中塑造了一个又一个生动鲜活的人物形象,也有不少经典唱段也在全世界广为传唱,是一部值得我们中国音乐剧表演者、教育者和学习者深入学习的典范。剧中的女主人公克丽丝汀是一个令人难忘的角色,她的唱段优美动人,音域宽阔,音区跨度很大,感情非常细腻,需要很强的演唱和表演能力。正因如此,在本文中笔者将以她作为音乐剧表演的一个缩影,并通过对她的表演分析来解析音乐剧表演者所需要具备的素质。在本文中,笔者将以音乐剧《歌剧魅影》中克丽丝汀为例,细致深入的研究和分析其中的唱段与角色表演,将其与个人的表演实践相结合,对音乐剧的表演和演唱等方面进行简单的探索,并试着写出一些我自己浅薄的认识。文章的第一章相对音乐剧的有关知识做一个简单的介绍,其内容包括音乐剧的发展简史、涵义、分类和表演构成等,为后文的展开论述作必要的理论铺垫。在第二章中,笔者将对音乐剧《歌剧魅影》进行简单的介绍,其中包括原著同名小说《歌剧院幽灵》以及作家加斯顿·勒鲁,故事梗概,以及音乐剧《歌剧魅影》的曲作者世界音乐剧之王安德鲁·洛伊·韦伯的生平和他在创作中对原著的改进。在第三章中,笔者将对克丽丝汀这一角色进行深入分析,并重点分析她的创作背景、角色形象和几个重点唱段中的难点和重点。最后,在第四章中,笔者将在前三章的基础上,以音乐剧《歌剧魅影》中的克丽丝汀为例,探索性的提出音乐剧演员应具备的五大素质:戏剧表演、歌唱和舞蹈三位一体的专业素质,博学多闻、善于思考的文化素质,爱岗敬业、严谨认真的职业素质,善于合作、懂得分工的为人素质,和体格强健、精力充沛的身体素质。并试图根据分析的结果来探讨出一些关于音乐剧表演人才培养的有效建议。本文中的研究便于音乐剧表演者、教育者、学习者和爱好者从理论的角度掌握音乐剧表演上的诸多特征,适音乐剧表演能够从理论上有据可依,并希望能为广大音乐剧表演从业人员和音乐剧表演爱好者研究和表演音乐剧作品起到一定的借鉴作用。
[Abstract]:With the healthy and rapid economic development of our country, the people's demand for cultural and entertainment is also showing a diversified trend. Musical, a new art form, will soon have both audiovisual and audio-visual features. The characteristics of elegance and common appreciation attract a fixed and expanding audience. But because Chinese musicals start late, they are far from mature, and the Chinese musical market has long been dominated by Western musicals. Therefore, the creation of excellent Chinese local musicals and the cultivation of excellent Chinese musical actors are imperative for us to build our own musical brand. The classic musical "Phantom of the Opera" occupies a prominent position in the historical stage of the musical with its unique charm. Among them, it has created one vivid and vivid figure after another, and there are also many classics that have been widely sung around the world. Is a model for our Chinese musical performers, educators and learners to learn. Christine, the heroine, is an unforgettable character. She has a beautiful track, a wide range, a very delicate feeling, and a strong ability to sing and perform. Therefore, in this paper, I will take her as a microcosm of musical performance, and through her performance analysis to analyze the musical performers need to have the qualities. In this paper, the author will take Christine in the musical "Phantom of Opera" as an example, study and analyze the choreography and role performance, and combine them with the individual performance practice. Make a simple exploration of musical performance and singing, and try to write my own shallow understanding. The first chapter makes a brief introduction to the related knowledge of musical, including the development history, meaning, classification and performance composition of musical, which lays the necessary theoretical foundation for the later discussion. In the second chapter, I will give a brief introduction to the musical Phantom of the Opera, which includes the original novel of the same name, the Phantom of the Opera, and the writer Gaston Leru. And the musical Phantom of the Opera by Andrew Loy Weber, the world's king of musicals, and the improvements he has made to the original. In the third chapter, the author will analyze the role of Christine in depth, and focus on the background of her creation, the image of the character and the difficulties and key points in several key choreographs. Finally, in the fourth chapter, on the basis of the first three chapters, taking Christine in the musical "Phantom of the Opera" as an example, the author puts forward the five qualities musical actors should possess: theatrical performance. Singing and dance trinity professional quality, erudite, good at thinking cultural quality, love job dedication, rigorous and serious professional quality, good at cooperation, understand the division of human quality, and strong physique, energetic physical quality. According to the results of the analysis, this paper tries to explore some effective suggestions on the cultivation of musical talent. The research in this paper is convenient for musical performers, educators, learners and lovers to grasp the characteristics of musical performances from a theoretical point of view. And hope to play a certain reference role for the majority of musical performance practitioners and musical performance lovers to study and perform musical works.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832

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