作为戏剧与歌剧“范式”的《佩莉亚斯与梅里桑德》

发布时间：2018-06-02 08:37

本文选题：戏剧 + 歌剧　；参考：《四川戏剧》2017年07期

【摘要】：由于歌剧的特点,来源于同名话剧的文学内容一般会做不同程度的改编,之后原文本容量、结构被大幅度改变,会失去独立存在的意义,这样,音乐戏剧与纯戏剧相比有结构上的缺陷,所以文学研究者一般不会把歌剧脚本作为文学来对待。世界戏剧史上,极少有共用文本的戏剧和歌剧两种体裁获得成功的事例,但也有例外的情况,比利时作家梅特林克在1883年创作的诗剧《佩莉亚斯与梅里桑德》成功的上演,30年后法国作曲家德彪西未对同名话剧做任何文本的改编,谱曲后同名歌剧上演获取成功。这两种共用文学文本的戏剧形式在各自领域留下了重要的影响,必然或是偶然?有学者表示德彪西努力想要在音乐上达成与梅特林克在《佩莉亚斯与梅里桑德》中文学因素一样共同的戏剧"立意"是个重要的因素,谨在此分析两种"范式"的戏剧成功因素以及对我国歌剧创作的启示。
[Abstract]:Because of the characteristics of the opera, the literary content derived from the drama of the same name will generally be adapted to varying degrees. After that, the original text capacity and structure will be greatly changed, and the meaning of independent existence will be lost. Musical drama has structural defects compared with pure drama, so literary researchers do not treat opera script as literature. In the history of the world's drama, there have been few examples of the success of the two genres of drama and opera with common texts, but there have been exceptions. In 1883, Belgian writer Metlinke's poem play "Perias and Melisand" was successfully performed. Thirty years later, French composer Debussy did not make any adaptation of the drama of the same name, and the opera of the same name was performed successfully after the composition. These two forms of drama, which share literary texts, have left an important influence in their respective fields, inevitably or accidentally. Some scholars say Debussy's efforts to reach the same "idea" in music as Matelink's Chinese studies in Perilas and Melisand are an important factor. This paper analyzes the successful factors of the two paradigms and their enlightenment to Chinese opera creation.
【作者单位】：聊城大学音乐学院;
【基金】：2015年山东省教育厅高校人文社科项目“简约主义作曲家约翰·亚当斯的早期歌剧研究”(项目编号:j15wf52) 2017山东省文化厅科研项目“当代作曲家约翰·亚当斯的中期歌剧研究”(项目编号:201706100)的阶段性成果
【分类号】：J832

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