威尔第歌剧《唐卡罗斯》中的歌剧内涵表现探究

发布时间：2018-06-03 09:22

本文选题：威尔第 + 唐卡罗斯　；参考：《西南交通大学》2012年硕士论文

【摘要】：“歌剧是一种综合性的舞台艺术。包括音乐、戏剧、文学、美术、表演、舞蹈等。其中多以音乐、戏剧为主,并把各种艺术融合为一体的、独具一格的、在舞台上表演的艺术形式。”①歌剧于1600年前后最先出现在意大利的佛罗伦萨,自然意大利歌剧被人们默认为是歌剧的正宗。在传扬意大利歌剧漫长的历史进程中,作曲家里尤其以意大利的威尔第为代表,而他更是将19世纪的意大利浪漫歌剧推上新的巅峰。威尔第一生共创作有二十六部歌剧,这些作品流传范围与场地甚广,除了专业的大歌剧院,小剧院以及市井当中也时常能听到出自威尔第歌剧中的旋律在回响,他的许多作品至今仍然盛演不衰,例如《茶花女》、《黎哥莱托》《游吟诗人》等,在他的整个歌剧创作生涯中,《唐卡罗斯》便是他创作中期的一部重要作品。《唐卡罗斯》在威尔第的歌剧创作中占有非常重要的一席之地,之所以这样说是因为该剧无论是从场面的宏大、戏剧情节的跌宕起伏,还是从几位极其复杂的人物关系处理与人物性格特征的塑造来说,都是属于重量级之作；《唐卡罗斯》也是威尔第歌剧创作中透析政治元素最贴近事实、最透彻的作品。这部歌剧改编自德国作家席勒的同名剧作,威尔第用更为精练的音乐手法创造了几位生动、鲜活的人物形象,在庞大的故事内容陈述过程中,歌剧充满了各种各样的人物与感情关系：恋人之间的两情相悦、挚友之间的真诚友谊、父子之间的浓浓亲情、夫妻之间的恩情、国与国之间的关系,甚至教会与世俗国家之间的矛盾、感情纠葛等也有所表现,而歌剧中所描绘出来的深刻、感人的场面也同样是威尔第歌剧中非常出色的一部。本文首先介绍论题的提出、研究现状以及文本研究的主要内容、目标与方法；其次是威尔第的歌剧《唐卡罗斯》概况：在借鉴前人研究成果的基础上主要介绍威尔第生平及其歌剧创作、歌剧《唐卡罗斯》的脚本：威尔第在其歌剧创作历程中积累了大量的、丰富的生活阅历和作曲创作技巧,在该剧中成功塑造了彼此之间相互对立、相互斗争又相互依赖的人物角色：男主人公英勇慷概,却屡遭挫折；女主人公柔情万种,却因爱而恨；最终幸免于难留下来的菲利普国王和大宗教裁判长,面对的却是一个日渐黄昏、逐渐衰亡的帝国；再次是着重对比歌剧《唐卡罗斯》的演出版本并对经典唱段的演出与演唱进行归纳总结；最后也是本文的论题—歌剧内涵表现,阐释了此剧内涵表现的四个角度。在歌剧《唐卡罗斯》中,威尔第用自己的智慧,将戏剧化的内容以音乐为线索编织起来,他塑造的不只是理想式的英雄,更是自身虽有某种缺陷却又极富艺术感染力的人物形象；他充分理解和把握人物及其命运的发展脉络,在戏剧冲突的展开中刻画人物,对歌剧内涵表现的设计使整部歌剧易于为观众所认同,从而使一个个人物都富有极强的现实感和真实性。
[Abstract]:"Opera is a comprehensive stage art. It includes music, drama, literature, art, performance, dance and so on. Among them, music, drama, and all kinds of art are integrated into one, unique, artistic form on the stage." (1) the first opera appeared in Florence, Italy, and natural Italy song before and after 1600. In the long history of Italy opera, the composer, especially the Verdi of Italy, has pushed the nineteenth Century Italy romantic opera to a new peak. Verdi wrote a total of twenty-six operas in his life. These works have a wide range of fields and fields, except for the wide range and field of the opera. The professional opera house, the small theater and the city well can often hear the melodies from Verdi's opera, and many of his works still flourishing, for example, "the tea flower girl >" the Li brother Leto > the singing poet and so on. In his entire opera creation, "Tang Carlos" is one of his important works in the middle period of his creation.
"Tang Carlos" occupies a very important place in the creation of Verdi's opera. The reason is that the play is because it is from the grand scene, the ups and downs of the dramatic plot, and the modeling of several extremely complex character relations and character characteristics. It is the most close to the facts and the most thorough work of Verdi's opera creation. This opera is adapted from the same famous opera by Schiller, the German writer. Verdi has created several vivid and vivid characters with a more concise musical technique. In the process of the huge story, the opera is full of all kinds of characters and Relationship: the love between lovers, the sincere friendship between the best friends, the strong affection between the father and son, the relationship between the husband and wife, the relationship between the country and the country, even the contradictions between the church and the secular state, the emotional entanglement, and so on, and the profound and moving scenes depicted in the opera are also Verdi's operas. A very good one in it.
This article first introduces the proposition, the research status and the main content of the text research, the goal and the method; secondly, Verdi's opera < thangcarlos > overview: on the basis of the previous research results, it mainly introduces Verdi's life and its opera creation, the opera "Thangka Ross >" script: Verdi in his opera creation course. He has accumulated a large amount of life experience and composing skills. In the play, he successfully portrays the characters of antagonism and mutual dependence between each other: the heroine is heroic and generosity, but has suffered setbacks; the heroine is more than one kind of love, but the heroine is hated by love; and finally the king and the big Philip survived. The chief of the religious referee is faced with an empire that has gradually decayed at dusk and gradually decayed. Again, the performance and singing of the classical opera are summarized and summed up by the contrast of the opera < thangros >. Finally, the theme of this article, the connotation performance of the opera, explains the four angles of the connotation of the opera. With his wisdom, Verdi weaves the dramatic content with music as a clue. He creates not only the ideal hero, but also his own figure with some defects but very artistic appeal; he fully understands and grasps the development of the characters and their fate, and portrays people in the unfolding of dramatic conflicts. The design of the opera's connotation and performance makes it easy for the opera to be recognized by the audience, so that all the characters are very strong in reality and authenticity.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832

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