莫扎特歌剧《魔笛》中的重唱艺术研究

发布时间：2018-06-03 17:07

本文选题：重唱艺术 + 魔笛　；参考：《河南师范大学》2014年硕士论文

【摘要】：重唱这种艺术形式从形成之初至今有一段很长的的发展历程。欧洲歌剧的繁荣与发展为多样的重唱表现形式以及发挥音乐戏剧性的功能提供了最大的可能性。重唱本身所具有的戏剧性使得它在歌剧中占有着重要的地位。在歌剧的发展过程中，作曲家莫扎特把重唱作为歌剧戏剧性表现的手段，这在当时是具有革命性的。在他的歌剧作品中，重唱这种表现形式占有很大的比重，，甚至超过咏叹调。莫扎特利用了重唱的各种优势，把他称之为“交响思维”的创作手法充分地运到了歌剧中。《魔笛》是莫扎特逝世前几个月完成并演出的最后一部歌剧。这部德奥歌唱剧把意大利的正歌剧和喜歌剧形式完美地结合在了一起，成为了德国民族歌剧的范本。在这部神话题材的歌剧中,作曲家融合了多种风格，既有优美的咏叹调又有深情的重唱唱段。其中又贯穿了生动幽默的情趣和气氛。本文从《魔笛》中的重唱入手，通过重唱唱段的分布情况、表现类型等方面来探究《魔笛》中重唱的创作手法和风格特征，得出重唱在歌剧中所独有的审美价值和艺术价值，从而给从事重唱表演的实践者们些许的启示和思考。论文的第一章简要叙述歌剧《魔笛》的创作背景以及重唱艺术的形成与发展，并列出歌剧中的重唱唱段分布情况；第二章着重对歌剧中重唱对人物的塑造进行分析，并归纳《魔笛》中重唱的重唱类别；第三章以评价和分析为主，旨在探究歌剧中重唱的创作特点及审美价值。
[Abstract]:The art form of duet has a long history from the beginning of its formation to now. The prosperity and development of European operas offer the greatest possibility for various forms of duet and musical drama. The drama of duet itself makes it play an important role in opera. In the development of opera, composer Mozart used duet as a means of opera drama, which was revolutionary at that time. In his operas, the performance of duet occupies a large proportion, even more than arias. Mozart took advantage of all the advantages of duet and delivered what he called "symphonic thinking" to the opera. Pied Piper was the last opera to be completed and performed a few months before Mozart's death. The German opera is a perfect combination of Italian opera and opera of joy, making it a model for German national opera. In this mythical opera, the composer combines a variety of styles, both beautiful arias and affectionate choir. It also runs through the vivid humor and atmosphere. This article starts with the duet in Pied Piper, through the distribution of the choir and the type of performance, probes into the creative techniques and style characteristics of the duet in Pied Piper, and obtains the unique aesthetic value and artistic value of the duet in the opera. In order to engage in the practice of duet performance a little enlightenment and thinking. The first chapter of the thesis briefly describes the background of opera "Pied Piper" and the formation and development of the choir art, and lists the distribution of the choir segments in the opera. Chapter two focuses on the analysis of the portrayal of the characters in the opera. The third chapter focuses on the evaluation and analysis to explore the creative characteristics and aesthetic value of the duet in opera.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J617.2

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