五音戏中的女性情结
发布时间:2018-06-11 16:49
本文选题:五音戏 + 传统社会 ; 参考:《福建师范大学》2010年硕士论文
【摘要】:五音戏,原名“周姑子”,为流行于鲁中地带的民间小戏。身处北方地域、根于齐地文化区的五音戏,非但无北方刚劲之风却颇具南方风味,腔韵酸甜柔美,有“北方越剧”之称。 五音戏表演风格偏阴柔,从曲种来源、戏剧剧本、戏台呈现以及戏腔韵味等方面均折射出与五音戏当地女性特质之关联。五音戏反映出传统社会下的女性生活——人在戏中,通过戏剧表现出当地女性在男权压抑下的性释放、性抗拒与性憧憬。五音戏深受当地女性欢迎,从戏中戏语与戏迷戏语中可透析出女性观众对五音戏的欣赏、利用、互动、回味逐渐渗透直至达到痴迷,可谓人戏一体,戏在人中。五音戏在演员性别转变中经过了纯男性到混合性别再到纯女性的过渡,演员性别的转变体现出了五音戏的阴性回归同时也透析出了引起性别变化的深层次的社会意识因素与经济因素,五音戏的阴性回归实现了戏台之上女性地位的转变与提升,但同时亦有一定的局限性。本文试从以上方面探求五音戏中的女性情结。
[Abstract]:Wuyin Opera, formerly known as "Zhou Gu Zi", is popular in the middle of the region of folk drama. The five-tone opera, which is located in the northern region and is rooted in the cultural area of Qi Di, is not only having a southern flavor without the strong and vigorous wind of the north, but also having a sweet, sweet and soft accent, which is known as "Northern Yue Opera." the performance style of the five-tone opera is somewhat feminine, and from the source of the song, the drama plays are written. Both the stage presentation and the melodies reflect the relationship with the local female characteristics of the Wuyin Opera. Five-tone drama reflects the life of women in the traditional society-people show the sexual release, resistance and longing of the local women under the male oppression through the drama. Wuyin opera is popular with local women. It can analyze the appreciation, utilization, interaction and aftertaste of the five-tone opera by female audience from the drama and opera fans' drama, so it can be described as a whole of human drama, and the drama is in the people. The five-tone drama has gone through the transition from pure male to mixed sex to pure female in the transformation of actor's gender. The gender change of the actors reflects the negative regression of the five-tone drama and also analyzes the deep-seated social and economic factors that cause the gender change. The negative return of the five-tone drama realizes the transformation and promotion of the status of women on the stage. But at the same time there are some limitations. This article tries to explore the female complex in the five-tone drama from the above aspects.
【学位授予单位】:福建师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J825
【引证文献】
相关期刊论文 前2条
1 王艳丽;;五音戏城乡剧团调查初探[J];大众文艺;2011年20期
2 王艳丽;;文化底蕴与五音戏[J];剑南文学(经典教苑);2013年01期
相关硕士学位论文 前2条
1 李艺;淄博市五音戏剧院演员及其演出活动的调查与研究[D];青岛大学;2013年
2 王艳丽;五音戏在城乡的生存现状与创新变迁[D];青岛大学;2013年
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