《沙家浜》的文化符号学解构研究

发布时间：2018-06-15 07:48

本文选题：文化 + 符号　；参考：《华南理工大学》2010年硕士论文

【摘要】： 当代中国的“红色经典”改编成电视剧后,相比原作,不仅在艺术样式上,还在其背后隐藏的文化意义上发生了显著的转变。本文选取革命现代京剧与电视剧《沙家浜》作为分析对象,借助文化符号学的相关理论,对两剧的艺术样式特征和符号深层内蕴进行了比较分析,揭示出这种样式转变的功能和文化启迪。首先,笔者对本文的研究背景、意义、现状、目标、方法,以及难点和创新点作了简单的介绍;并对“符号”、“符号学”、“艺术符号系统”三个概念及其在本文中运用的相关理论进行了界定和分析。其次,笔者指出革命现代京剧和电视剧《沙家浜》在符号能指系统方面的差异,主要有时空压缩和延伸的特性、单一化和多元化的矛盾关系设置、强烈的政治象征和日常生活的象征。接着,笔者重点分析了革命现代京剧和电视剧《沙家浜》在符号所指系统方面的不同表现,从前者革命、后者消费的文化及媒介接受语境切入,探讨了意义内涵中政治文化与大众文化分野下的四种区别:人性的扭曲与真实、神圣化与世俗化、亲情的缺失与复归、女性主体的消隐与凸显。最后,笔者将革命现代京剧与电视剧《沙家浜》置于文化符号学的视野下进行功能和启迪的考察,主要阐述了符号系统转变对文本表达、社会文化的功能分析,并对这一过程中表现出来的文化启迪进行初步探讨。
[Abstract]:After the adaptation of the Red Classics into TV dramas in contemporary China, there has been a remarkable change not only in the artistic style but also in the cultural meaning hidden behind it. This article selects the revolutionary modern Beijing opera and the TV drama Shajiabang as the analysis object, with the help of the related theory of the cultural semiotics, makes a comparative analysis on the artistic style characteristics and the deep connotation of the symbols of the two plays. It reveals the function and cultural enlightenment of this style change. First of all, the author gives a brief introduction to the background, significance, present situation, objectives, methods, difficulties and innovations of this paper, and gives a brief introduction to "symbol", "semiotics", and "semiotics". The three concepts of "artistic symbol system" and the related theories used in this paper are defined and analyzed. Secondly, the author points out that the differences in symbolic signifier system between revolutionary modern Peking opera and TV drama Shajiabang mainly include the characteristics of space-time compression and extension, the setting of contradictory relations between simplification and diversification. A strong political symbol and a symbol of everyday life. Then, the author analyzes the different performance of modern Beijing opera and TV drama Shajiabang in the system of symbol, from the context of the former revolution and the latter consumption of culture and media acceptance. This paper probes into the four distinctions between political culture and popular culture in the connotation of meaning: the distortion and reality of human nature, the sacrament and secularization, the absence and restoration of kinship, and the elimination and prominence of the female subject. Finally, the author puts the revolutionary modern Beijing opera and TV play Shajiabang under the visual field of cultural semiotics to investigate the function and enlightenment, and mainly expounds the function analysis of the change of symbol system to the text expression and social culture. And this process shows the cultural enlightenment to carry on the preliminary discussion.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J97;J821

【引证文献】