昆曲在安徽的流传与变异

发布时间：2018-06-16 04:47

本文选题：流传与发展 + 昆曲历史　；参考：《安徽大学》2010年硕士论文

【摘要】： 戏曲音乐家魏良辅在“昆山腔”基础上,创造出“水磨调”,梁辰鱼以此创作出《浣纱记》使得昆曲在吴中兴盛,并开始在全国广泛传播。昆曲大致于万历年间在徽商的带动下传至安徽,但在安徽省内的流传与发展并不平衡。一方面由于苏、浙是当时全国的经济中心,而当时安徽的徽州地区毗邻苏浙,徽商就成为昆曲在安徽传播的重要推动者,他们对昆曲爱好有加,不仅喜欢这种清新高雅的曲调,同时昆曲在某种程度上也成为他们“公关”的重要手段之一。另一方面安徽皖南很多地区的方言属于吴语范围之内。这种地理和语言方面的优势使得昆曲在苏浙发展的同时,能流入安徽皖南地区成为顺理成章之事。因此明万历年间到清初,昆曲在这里流传较为广泛,而在皖北地区的流传相对较少。本文分四部分论述了昆曲在安徽的流传和变异。以昆曲在安徽皖南地区的兴起、发展和变化为时间线索,以各个阶段昆曲的演出情况,每个阶段出现的皖籍昆曲剧作家、昆曲戏曲理论家以及昆曲剧本的刊刻,昆曲在安徽本土的流传过程中与当地声腔相互影响的结果等为切入点,大致勾画出昆曲在安徽的流传与变异情况。清中叶以后,由于花部乱弹的兴盛、昆曲自身的缺陷以及徽商的衰微,昆曲在安徽乃至全国的演出开始衰微,尤其是到了“文革”期间,在极左路线的指导下,昆曲在安徽的流传几乎消亡殆尽。
[Abstract]:Opera musician Wei Liangfu created "Water Modification" on the basis of "Kunshan Opera", and Liang Chenyu created "Wun Sha Ji" to make Kunqu Opera flourish in Wuzhong and spread widely throughout the country. Kunqu Opera spread to Anhui under the impetus of Huizhou merchants in Wanli period, but its spread and development in Anhui was not balanced. On the one hand, because Jiangsu and Zhejiang were the economic centers of the country at that time, and at that time the Huizhou region of Anhui was adjacent to Jiangsu and Zhejiang, Huizhou merchants became important promoters of the spread of Kunqu Opera in Anhui. They had a keen interest in Kunqu Opera, and not only liked this fresh and elegant tune, At the same time, to some extent, Kunqu Opera has also become one of the important means of their "public relations". On the other hand, many dialects in southern Anhui belong to Wu dialect. This geographical and linguistic advantage makes it natural for Kunqu Opera to flow into southern Anhui while developing in Jiangsu and Zhejiang provinces. Therefore, from the Ming Dynasty to the beginning of Qing Dynasty, Kunqu Opera spread widely here, but relatively less in northern Anhui. This paper discusses the spread and variation of Kunqu Opera in Anhui in four parts. Taking the rise, development and change of Kunqu Opera in the south of Anhui Province as a time clue, taking the performance of Kunqu Opera in every stage, the author of Kunqu Opera dramatist, the theorist of Kunqu Opera and the publication of the script of Kunqu Opera in each stage. The results of interaction between Kunqu Opera and local vocal cavity in the local circulation process of Anhui Province are the starting point to outline the spread and variation of Kunqu Opera in Anhui Province. After the middle of the Qing Dynasty, due to the prosperity of the floral part, the defects of Kunqu Opera itself and the decline of Huizhou merchants, the performance of Kunqu Opera in Anhui and throughout the country began to decline, especially during the "Cultural Revolution", under the guidance of the far left line. The spread of Kunqu Opera in Anhui almost disappeared.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J825

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