民国前期粤剧的转型

发布时间：2018-06-16 06:38

  本文选题：粤剧 + 现代戏剧　； 参考：《戏剧(中央戏剧学院学报)》2014年03期

【摘要】：民国前期,粤剧发生了脱胎换骨的变化。城市戏院的大量建造,催生了以城市平民为主要欣赏对象的大量粤剧新剧目的出现,涌现出一批新型编剧,基本上改变了粤剧的剧目体系。粤剧的脚色体制从十大行变为"六柱制",呈现出新的表演体系与风格。粤剧的音乐(包括演唱与伴奏)与舞台美术和戏剧装扮,同样有很多新变化。所有这些变化,都有其内在的关联,它们完全改变了粤剧的艺术风格与形态。
[Abstract]:In the early period of the Republic of China, Cantonese opera changed completely. The construction of city theatres spawned the emergence of a large number of new Cantonese opera plays, which were mainly appreciated by the urban common people, and a number of new writers emerged, which basically changed the repertoire system of Cantonese opera. The character system of Cantonese opera changed from ten lines to six columns system, showing a new performance system and style. Cantonese opera music (including singing and accompaniment) as well as stage art and theatrical costumes, there are also many new changes. All these changes are intrinsically related, and they completely change the artistic style and form of Cantonese opera.
【作者单位】： 南京大学文学院;中国戏曲学院;
【分类号】：J825

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