试析清代以降昆曲“折柳阳关”唱腔之流变——兼论曲腔与曲律之关系

发布时间：2018-06-22 08:27

本文选题：紫钗记 + 折柳阳关　；参考：《戏曲艺术》2017年02期

【摘要】："折柳阳关"是《紫钗记》中流传最广的的出目,经过明清两代无数演员的打磨演练,成为昆曲清唱和剧唱中的经典。本文通过对比六种不同时期和来源的昆曲工尺谱及当今昆曲演唱实况、参考两种南北曲格律谱、对照《紫箫记》和臧懋循改本《紫钗记》,比较分析昆曲"折柳阳关"唱腔的差别与流变,以探讨南北曲之区别、曲腔与曲律关系、文辞与曲律关系、曲腔与文辞关系等一系列曲学问题,并由此引出对曲腔、曲律关系的思考和讨论。
[Abstract]:"folding willow Yangguan" is the most widely circulated object in the Book of Purple Nickles. It has become a classic in Kunqu singing and singing through the grinding exercises of countless actors in the Ming and Qing dynasties. In this paper, by comparing six different periods and sources of Kunqu music, and the actual situation of Kunqu singing today, the author refers to two kinds of North and South qu rhythms. In comparison with Zang Maoxun's revised version, Zang Mao-based 's revised edition, the differences and changes of the tune of Kun qu's "folding Liu Yangguan" were compared and analyzed in order to explore the difference between the north and the south, the relationship between the tune and the melody, the relationship between the prose and the melody, and the relationship between the words and the melody. There are a series of questions about the relationship between qu cavity and ci, which leads to the thinking and discussion of the relationship between qu cavity and melody.
【作者单位】：中山大学中文系;
【分类号】：J82

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