从歌剧《伤逝》看中国歌剧的发展

发布时间：2018-06-22 09:32

本文选题：伤逝 + 文学特征　；参考：《西南交通大学》2010年硕士论文

【摘要】： 歌剧对于我国来说是一种既古老又年轻的艺术。说古老,是因为早在宋,元时期出现的戏剧形式就是中国歌剧艺术的雏形,被西方称之为"china opera",说其年轻,是因为中国歌剧艺术起步较晚。诸多历史特征都明显地体现出了歌剧在中国本土化成长阶段中的创作能力、接受能力的发展状况。歌剧《伤逝》是为纪念鲁迅先生诞辰100周年而作,是施光南的第一部歌剧,也是作者在歌剧领域里的一次成功的探索。它在音乐结构,人物设置,心理描绘,交响性效果以及声乐艺术表现等方面均有创新意义。本文作者在第一章主要阐述了中国歌剧的发展,时间是从中国20世纪20,30年代到新时期,之中列举了每个时期的歌剧作品,对其作品当时的背景和本身艺术特色进行了研究,说明了新的艺术形式的出现是有其历史和自身的原因的。第二章主要论述了歌剧《伤逝》的文学特征,音乐特征和表演特征。《伤逝》这部歌剧是在新时期下创作出来的,他的身上有着中国歌剧一步步走来的影子,也有着新时期的新鲜血液,怎样让我们中国自己的歌剧走上世界之林,这是个引人深思的问题。本章对《伤逝》这部歌剧从不同角度进行剖析,管中窥豹的对这个令人深思的问题进行思考。第三章是对我国歌剧发展的思考,从观众的角度上来寻找歌剧的出路。
[Abstract]:Opera is an old and young art for our country. The reason for saying ancient is that the form of drama appeared in Song Dynasty and Yuan Dynasty is the embryonic form of Chinese opera art, which is called "china opera" by the West, because the Chinese opera art started relatively late. Many historical features clearly reflect the development of opera's creative and receptive ability in the growing stage of Chinese localization. Opera "death of injury" was written to commemorate the 100th anniversary of Mr. Lu Xun's birth. It is Shi Guangnan's first opera and a successful exploration in the field of opera. It has innovative significance in music structure, character setting, psychological description, symphonic effect and artistic expression of vocal music. In the first chapter, the author mainly expounds the development of Chinese opera, from the 20th century to the 1930s to the new period, enumerates the opera works of each period, and studies the background and the artistic characteristics of the works at that time. It shows that the emergence of new art forms has its history and its own reasons. The second chapter mainly discusses the literary, musical and performance features of the opera "death of injury". This opera was created in the new period, and his body has the shadow of Chinese opera step by step. There is also a new era of fresh blood, how to let our own opera into the world, this is a thought-provoking question. This chapter dissects the opera from different angles and reflects on this thought-provoking question. The third chapter is about the development of opera in China, from the point of view of the audience to find the outlet of opera.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822

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