清儒戏曲观探考

发布时间：2018-06-23 16:45

  本文选题：清儒 + 戏曲观　； 参考：《文化艺术研究》2016年03期

【摘要】：清儒的戏曲观大多集中在对戏曲地位和功能的认识上,并且受所处时代学术思潮的影响。清初理学家对待戏曲的态度基本以反对或轻视为主。清中叶汉学家的经学本位主义立场决定了对戏曲的态度,或是将戏曲视为经学的附庸,认为戏曲有功经学,或是将戏曲视为小道。清末的学者大多能认识到戏曲启发民智和启迪人心的作用,努力提高戏曲的社会地位,并推进戏曲的研究。大多数清儒对戏曲的态度较为矛盾,一方面他们爱好观剧,为戏曲剧本题写序跋,肯定其艺术价值;另一方面,却从内心轻视戏曲。这种矛盾态度与戏曲本身的内容取向和审美取向有关。
[Abstract]:Most of the opera views of the Qing Dynasty concentrated in the understanding of the position and function of the opera and influenced by the academic trend of thought in the times. The attitude of the scholars in the early Qing Dynasty to the opera was mainly opposed or despised. The attitude of the Chinese scholars in the middle of the Qing Dynasty to the traditional Chinese opera was determined by the standpoint of the Confucian classics, or that the opera was regarded as the appendage of the Confucian classics. In the end of the Qing Dynasty, most scholars in the late Qing Dynasty can realize the role of Chinese opera to enlighten the people and enlighten the people, improve the social status of the opera and promote the study of the opera. Most of the Qing scholars have a contradictory attitude to the opera. On the one hand, they are interested in watching the drama, writing the preface and postscript to the drama script and affirming its artistic price. Value; on the other hand, it despises opera from the heart. This contradictory attitude is related to the content orientation and aesthetic orientation of the opera itself.
【作者单位】： 扬州大学文学院;
【基金】：2015年国家社科基金项目“甘肃省图书馆所藏清代戏曲抄本研究”(项目编号:15BZW071)阶段性成果 第58批中国博士后科学基金“甘肃省图书馆所藏清代戏曲抄本研究”(资助编号:2015M580405)阶段性成果
【分类号】：J809.2
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本文编号：2057745