秦腔在乌鲁木齐的传承与发展研究

发布时间：2018-06-24 00:24

本文选题：秦腔 + 传承过程　；参考：《新疆师范大学》2009年硕士论文

【摘要】： 秦腔是流行于西北地区的主要戏曲剧种之一,清代中叶达到鼎盛时期,并向周边地区迅速传播。秦腔在乌鲁木齐的发展状况分为两个阶段:一是解放前秦腔在乌鲁木齐的生存状况,与移民和陕甘籍军人入疆密切相关,在乌鲁木齐是以民间班社的形式发展而来;二是解放后秦腔在乌鲁木齐的传承和发展情况,主要是通过两个专业剧团来实现其传承和发展。通过对秦腔剧目的题材内容进行考察,可以发现秦腔的发展是在继承传统的基础上不断创新,剧目具有较强的时代性和地域性。同时,论文也对秦腔音乐本体,如唱腔音乐、曲牌音乐和打击乐等,尤其是对唱腔音乐进行研究,选择了比较典型的四段唱腔进行词曲分析,由此得出秦腔在乌鲁木齐的传承与发展具有一定的地域性的观点。论文将秦腔置于传统音乐的文化空间进行定位,探析秦腔在乌鲁木齐的传承形式。秦腔在乌鲁木齐的传承形式有两种:专业团体传承和业余班社传承。总结二者的传承特点并提出秦腔在乌鲁木齐发展的建设性意见。
[Abstract]:Qin Opera is one of the most popular opera dramas in Northwest China. It reached its peak in the middle of Qing Dynasty and spread rapidly to the surrounding areas. The development of Qin cavity in Urumqi can be divided into two stages: one is the existence of Qin cavity in Urumqi before liberation, which is closely related to immigrants and soldiers of Shaanxi-Gansu nationality, and developed in the form of folk society in Urumqi; Second, the inheritance and development of Qin Opera in Urumqi after liberation, mainly through two professional troupes to achieve its inheritance and development. Through the investigation of the contents of Qin Opera repertoire, we can find that the development of Qin Opera is based on inheriting the tradition, and the repertoire has strong epochal and regional character. At the same time, the thesis also studies the body of Qin cavity music, such as singing music, qu music and percussion music, etc. From this, the Qin cavity in Urumqi inheritance and development has a certain regional point of view. In this paper, Qin Opera is positioned in the cultural space of traditional music, and the inheritance form of Qin Opera in Urumqi is analyzed. Qin Opera in Urumqi has two forms of inheritance: professional group inheritance and amateur society inheritance. Summing up the inheritance characteristics of the two and put forward the development of Qin cavity in Urumqi constructive suggestions.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J825

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