潮剧在泰国的发展和流变研究

发布时间：2018-06-24 18:48

本文选题：潮剧 + 泰国　；参考：《重庆大学》2012年硕士论文

【摘要】：中国的潮剧传承了中华民族传统文化和地域文化的特色，不仅具有很高的艺术价值，，而且还深受中泰两国人民的喜爱，是两国人民外在文化交流以及内在情感交流的重要媒介。从十七世纪左右潮剧在泰国的最初传入至今，潮剧在泰国的发展已有三百多年历史。潮剧见证并影响着两国民间艺术和文化的交流，是两国人民情感和文化交流的结晶。潮剧在泰国的发展和流变课题一直广受中泰两国的相关研究学者们关注，但是迫于语言和文化差异的阻碍，这部分的深入研究成果还相对缺乏。本文结合民俗学、戏曲学、传播学、历史文献学的研究方法，在广泛援引前人研究成果的基础上，对潮剧在泰国的发展流变及产生的深远影响做多角度的研究探讨。本文关于潮剧在泰国的发展流变研究主要分四个部分进行。第一部分，会结合民俗学和戏曲学理论对中国的潮剧和泰国主要戏剧及特点做归纳，并基于此，从历史背景、自然地理背景和社会文化背景三个方面对潮剧在泰国传入进行论述。第二部分是本文的研究重点，会根据历史轨迹分三个小部分对潮剧在泰国的发展和产生的流变进行论述。首先，以潮剧在泰国的传入作为起点，借助历史文献佐证潮剧在泰国的传入渊源。其次，会结合潮剧在二十世纪二十年代至三十年代以及三十年代至四十年代潮剧在泰国的两次发展高潮进行论述，得出结论证明政府的鼓励政策、潮人的大量迁入泰国等与潮剧大发展的密切关系。最后，会从受众娱乐方式改变、外交政策变化和民间交流等社会原因对潮剧在泰国的由盛转衰，以及再度复兴的影响做论述。第三部分，潮剧对泰国的影响。由潮剧对泰国戏剧、泰国文化和中泰两国文化交流产生的影响做三方面的分析，证明潮剧的传播对于泰国文化以及中泰的友好交往作出了贡献。第四部分，结论及展望。本部分将对潮剧在泰国的发展流变研究作总结，并鉴于中国戏曲文化的对外传播的障碍分析，对潮剧在泰国的发展提出个人的建议。
[Abstract]:The Chinese tide plays inherit the traditional Chinese culture and regional culture, not only with high artistic value, but also deeply loved by the Chinese and Thai people. It is an important medium for the external cultural exchange and inner emotional exchange between the two peoples. From the beginning of the seventeenth Century tide drama to Thailand, the Chaozhou opera was in Thailand. It has been developing for more than 300 years. Chaozhou Opera has witnessed and influenced the exchange of folk art and culture between the two countries, and it is the crystallization of emotional and cultural exchanges between the two peoples.
The development and development of the Chaozhou Opera in Thailand has been widely concerned by the researchers of the two countries. However, owing to the hindrance of the differences between language and culture, the research results of this part are still relatively lacking. This paper combines folklore, opera, communication and historical literature, and has widely quoted the foundation of previous research results. On the above, the development and development of Chao opera in Thailand and its far-reaching influence are discussed from many angles.
The study of the development and rheology of the Chaozhou Opera in Thailand is mainly divided into four parts. The first part, combining the folklore and the theory of traditional opera, summarizes the Chinese drama and the major plays and characteristics of Thailand. Based on this, the paper discusses the introduction of the Chaozhou Opera in Thailand from the historical background, the natural geographical background and the social and cultural background in three aspects. The second part is the focus of this study. According to the historical track, it will discuss the development and evolution of the Chaozhou Opera in Thailand. First, the introduction of the Chaozhou Opera in Thailand is the starting point, and the historical literature is used to prove the origin of the tide in Thailand. Secondly, the Chaozhou Opera will be combined from 1920s to thirty years. As well as the two development climax of the Chaozhou Opera in Thailand from 30s to 40s, the conclusion is that the government's encouragement policy, the large number of people moving into Thailand and the development of the high tide are closely related. Finally, the social reasons such as the change of the audience's entertainment, the change of foreign policy and the communication of the folk, will be the cause of the tide in Thailand. The third part, the impact of Chaozhou Opera on Thailand, the impact of Thailand drama on Thailand drama, Thailand culture and the cultural exchanges between China and Thailand. It is proved that the spread of the tide plays a contribution to Thailand culture and the friendly exchanges between China and Thailand. The fourth part, conclusion and prospect. This section will summarize the development and evolution of the Chaozhou Opera in Thailand. In view of the analysis of the obstacles to the communication of Chinese opera culture to the outside world, some personal suggestions are put forward for the development of the Chaozhou Opera in Thailand.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825;J893.36

【参考文献】