罗西尼与威尔第歌剧中女高音演唱风格与技巧的比较研究
发布时间:2018-06-28 18:11
本文选题:罗西尼 + 威尔第 ; 参考:《河南师范大学》2017年硕士论文
【摘要】:歌剧是一门集合了声乐、表演、文学、美术、舞蹈等的一门综合艺术,而其中最能全面表现人物性格当属歌剧中的咏叹调,女高音的咏叹调在歌剧舞台上是一颗闪闪发亮的明珠,女高音常常作为主角活跃在当今的歌剧舞台上。罗西尼和威尔第作为十八--十九世纪拯救意大利歌剧的人物,钟情于歌剧艺术的大师,将其一生献给了歌剧。在歌剧的道路上,他们有着不同程度的相同与差异。本文将着眼于罗西尼与威尔第的女高音咏叹调,通过他们各自隐藏在音乐中的信息,从创作和演唱特点等进行比较,逐个进行分析与归纳。全文共分为四个部分,第一部分是罗西尼与威尔第生平、作品,及其所处时期的创作背景。第二部分是罗西尼与威尔第歌剧艺术风格对比,从四个方面来论述:题材的选择、宣叙调及配器、戏剧性、曲体结构、旋律、力度的变化。第三部分是罗西尼与威尔第歌剧中女高音咏叹调演唱技巧比较。第四部分罗西尼与威尔第歌剧中著名女高音角色塑造比较综述主要女高音角色、女高音塞米拉米德和维奥莱塔角色分析、女高音罗西娜和吉尔达角色比较分析。
[Abstract]:Opera is a comprehensive art of vocal music, performance, literature, art, dance and so on. And the most comprehensive character of the opera is the aria in the opera. The arias of the soprano is a shining pearl on the stage of the opera, and the soprano is often active on the opera stage. As eighteen - the eighteen - nineteenth Century operas who saved the opera, they devoted their life to the opera. On the road of the opera, they have different degrees of similarities and differences. This article will focus on the alms of the soprano of rossni and Verdi, through the information they hide in the music, from the creation of their own music. Comparison and analysis of the characteristics of singing and singing. The full text is divided into four parts. The full text is divided into four parts. The first part is the life of Rossini and Verdi, the works and the creation background of the period. The second part is the comparison between Rossini and Verdi's opera style, and from the four aspects: the choice of subject matter, the narrative tone and orchestration, the play The third part is the comparison of the singing skills between rossni and Verdi's operas. The fourth part of the famous soprano in the operas of rossni and Verdi is a comparison of the main soprano roles, the role analysis of the soprano Semira Meade and the virulet, and the soprano rosna. Compare with the role of Jill.
【学位授予单位】:河南师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J617.2
【参考文献】
相关硕士学位论文 前4条
1 石萌;19世纪意大利歌剧与审美视界的关系探究[D];贵州师范大学;2015年
2 杨苗;十九世纪意大利喜歌剧的经典唱段研究[D];江西师范大学;2011年
3 苑璐;19世纪意大利歌剧演唱特征初探[D];天津音乐学院;2007年
4 郭瑾;威尔第和普契尼歌剧中女高音咏叹调艺术风格与演唱特色之比较研究[D];山东师范大学;2005年
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